Skip to content

Posts from the ‘IP (Intellectual Property)’ Category

New Book: Die Konstituierung von Cultural Property: Forschungsperspektiven

The Göttingen Interdisciplinary Research Group on Cultural Property is happy to announce the publication of an edited volume on the constitution of cultural property:

Regina Bendix, Kilian Bizer, Stefan Groth (Hg.)
Die Konstituierung von Cultural Property: Forschungsperspektiven.
Göttinger Studien zu Cultural Property, Band 1. Göttingen: Universitätsverlag Göttingen 2010, 320 Seiten, Softcover, 30,00 EUR
ISBN 978-3-941875-61-6

Kann Eigentum an Kultur sinnvoll sein? Das Interesse, Cultural Property dem Markt zuzuführen oder dies zu verhindern und hierdurch kollektiven oder individuellen, ideologischen oder ökonomischen Gewinn zu schaffen, gestaltet sich unter den stark divergierenden Bedingungen, die Akteure in einer postkolonialen, spätmodernen Welt vorfinden.

Die interdisziplinäre DFG-Forschergruppe zur Konstituierung von Cultural Property beleuchtet diese seit einigen Jahren in der Öffentlichkeit mit wachsender Brisanz verhandelte Frage. Die Forschergruppe fragt nach der Konstituierung von Cultural Property im Spannungsfeld von kulturellen, wirtschaftlichen, juristischen und hiermit auch gesellschaftspolitischen Diskursen. Dies bedingt auch die in dieser fokussierten Form neue Zusammenarbeit von Fachwissenschaftler/innen aus Kultur- und Sozialwissenschaften sowie Rechts- und Wirtschaftswissenschaften. Die Unterschiedlichkeit des disziplinären Zugriffs auf einen Forschungsbereich zeigt sich in den in diesem Band vermittelten ersten Ergebnissen aus der laufenden Forschung genauso deutlich wie die Notwendigkeit, disziplinäre Standpunkte in gemeinsamer Arbeit zusammenzuführen, um den Konstituierungsprozess von Cultural Property zu verstehen.

Der erste Teil versammelt Beiträge, die den Zusammenhang zwischen Heritage Praxen und der Formierung von Interessen an Cultural Property anhand von Fallstudien aus Indonesien, Kambodscha und Deutschland  beleuchten. Im zweiten Teil werden existierende Parameter des Schutzes von Cultural Property aus der Sicht von Völkerrecht, Verfüungsrecht und visueller Anthropologie untersucht. Der dritte Teil widmet sich Erkenntnissen aus internationalen Verhandlungsprozessen und ein vierter Abschnitt zeigt unterschiedliche Forschungsperspektiven auf Cultural Property.

Der Band kann auf den Seiten des Göttinger Universitätsverlages bestellt werden und ist zudem unter einer Creative-Commons-Lizenz als PDF verfügbar:
http://bit.ly/gscp01
Read more

The Pioneer Age of Internet Video (2005-2009)

The transformation described by Adam Fish in this Savage Minds post can almost certainly be generalized even further to other mediated realms of communication. The Pioneer Age of Internet Video (2005-2009)

Iñupiat Musical Heritage Repatriation Project

The first time that I taught the introductory folklore graduate course it was in the Department of Anthropology at the University of Oklahoma. Among the many nice and smart people in that class was Chie Sakakibara, then a doctoral student in geography preparing for dissertation research on the intersections of expressive culture and human-environment relations in the context of climate change. Chie has gone on the earn her doctorate and she is now an Assistant Professor of Geography at Appalachian State University. In addition to highlighting her work in general, I want to especially mention her work (with Aaron Fox and others) on a significant “musical heritage repatriation project” reconnecting recordings made by ethnomusicologist Laura Boulton (a big presence on my own campus as well as at Columbia University) with the Iñupiat community of Barrow, Alaska.  Learn about this important effort here.

Chie also discussed her work on NPRs Studio 360.  See: http://www.studio360.org/episodes/2009/10/09

Congratulations to Chie on her new post at Appalachian State and thank you for your collaborative work with the people of Barrow and our colleagues at Columbia.

Library Babel Fish on Scholarly Society Pubishing

Today’s Library Babel Fish column returns to the topic of the month: scholarly society publishing in general, with special attention to the discussion in anthropology that has been prompted by Bill Davis’ recent commentary on behalf of the American Anthropological Association. She makes a nice parallel to another area where the common good is endangered by legacy policy–hunger–and even mentions anthropologist Paul Farmer along the way. Check it out in connection with discussions at Savage Minds and John Hawks Weblog. Thanks Library Babel Fish.

42 Cents? Really?

When Scott Jaschik of Inside Higher Education published an article about Museum Anthropology Review (MAR) on February 28, 2008 he cited roughly the same costs comparison that Alex (Rex) Golub has  noted in his September 2, 2010 Savage Minds post. At least a few commentators on the IHE story in 2008 questioned the validity of the ridiculous figure that was being attributed to (and by) me as the (then) cost of publishing MAR.  I should have explained it then but Golub has given me a second chance. (thanks!)  Here goes as quickly as I am able.

As I noted in discussing Bill Davis’ recent post, most journals edited by employed scholars benefit from some kind of subsidies. Usually a rich and diverse array of subsidies. As with my earlier editing of Museum Anthropology, Museum Anthropology Review has benefited in a variety of ways from my being employed at Indiana University Bloomington. As things stand in 2010, the most important subsidy for the journal is the remarkable-super-awesome support provided to the journal by the Indiana University Blooming Libraries (and Librarians!) through the IUScholarWorks program.  The IUB Libraries are now MAR‘s publisher. They make this possible with the use of an amazing open source software program called Open Journal Systems (it does editorial work flow and publishing) and, very importantly, significant (but not insane) amounts of technical (and librarian-skills) support.  Set this wonderful background aside because it is not relevant to the source of the 42 cent thing.

It was the launch of the OJS-based, IUB Libraries-published instance of MAR that the IHE story was profiling/discussing. In other words, that story was about the version of MAR that exists today. In the IHE story I was quoted (accurately) as saying I spent “about $20” last year to publish a journal reaching many more people [than were being reached by Museum Anthropology].  What this meant literally, was that I spent about $20 out of my own pocket in 2007 to publish the content issued during 2007. This was the first year of a thing in the world called Museum Anthropology Review. What were the these costs?  I would have to take more time than I have now to figure out what went into the $20 figure, but I think that it was only a single expense (getting an ISSN is free, btw).  It was to purchase the domain name http://museumanthropology.net and to map it onto the free WordPress.com site that was used to get MAR up and running on the cheap.

That was it.  All other costs came were Indiana University Bloomington supports (thanks IU!).  For doubts and grouchiness as well as a fruitful discussion from IHE commentators on the economics of open access see most of the 19 comments that appeared in the wake of the IHE story. All I want to say about these comments now is that I never tried to suggest that the total cost of publishing a gold OA journal was $20 per year. I think that I have been completely obsessive about endlessly flagging for notice the important subsidies that host institutions provide to the publishing processes as hosts to academic editors. I discussed this issue in AAA editors meetings and I have spoken and written of them often. It is why I try to say thank you to the IUB Library staff at least once a week. (thank you!)  Put most simply in the MAR case, for the period from 2007 to 2010, those (library, department, college) subsidies (combined with a free blogging platform in 2007 and an open source software program in 2008-2010) were (together with the generous help of an authorial and peer-review community and a great editorial board) all that was required to publish MAR. It is likely that MAR‘s subsidy model will change and new partners will be hopefully be recruited in consortial fashion to help extend and expand the work we are doing, but what we have now is very stable and (I think) very successful. The IUScholarWorks team and I have plans to do a careful cost analysis of how much it costs to make MAR happen but it is undeniable that the costs are many orders of magnitude less than any current AAA publication. And they are being willingly taken up by the best research library in the United States. Why? Because the system we have known is broken and the librarians at IU want to be part of the solution rather than part of the problem.

Oh yeah. And the journal is freely available to rich and poor.

To finish this up.  Golub is citing, for his MAR cost information, not the IHE story but the paper that I gave at a conference on circulation (ie. The Form of Value in Globalized Traditions) at the Ohio State University that was organized by Dorothy Noyes and Charles Briggs (thanks go to my hosts). This paper [Our Circulatory System (or Folklore Studies Publishing in the Era of Open Access, Corporate Enclosure and the Transformation of Scholarly Societies] was circulated via my website. The per page cost figure ($202) that I cited there for Museum Anthropology were my own estimates of the per page costs during the time of the publishing contract with the University of California Press. (Insert expression of deep appreciation to the nice people at UC Press Journals here.) Those figures were available to me as editor and were not covered by a confidentiality agreement (as my time as a Wiley editor is). At the time from which they come, everyone in the AAA was doing everything possible to make sense of the costs associated with AAA journal publishing because these costs were being paid directly by individual publishing sections.  The Council for Museum Anthropology had charged me with figuring out how to make Museum Anthropology work or to prepare for what to do when it died a financial death.

The paragraph in which I cite the $202 per page cost and the loss figure of $79 per page for Museum Anthropology was followed by the paragraph where I mention the 42 cents per article cost for Museum Anthropology Review. Unlike now, MAR did not (in its 2007 WordPress guise) have pages. It just had digital “entries” or (blog posts). This cost was (roughly, if memory serves) calculated by dividing the $20 out of pocket cost by the number of items (versus pages)  published that year at the time I made these calculations.  The more one published, the lower the per item cost would be.  I acknowledge that this has a rhetorical dimension, but that does not change the facts of the matter.  MAR reached and reaches a vast number of people and costs very little.  While MAR matured from its WordPress format (see the legacy site here) to the use of grown up, full-functioned Open Journal Systems, the WordPress version of MAR inspired Trickster Press (for instance) to shift publication of Folklore Forum to a similar WordPress arrangement.  This costs nothing and allows for the publication of color images, video, audio, conference posters, etc.–lots of good stuff.  Like MAR version 1.0 Folklore Forum content is preserved reliably in library approved ways in IUScholarWorks Repository (which uses DSpace and is fully compatible with Google Scholar).

This post is not intended as a complete unpacking of the history of Museum Anthropology Review.  That can come later.  I hope that it does explain the cost structure of the journal and contextualize the $20 or 42 cent business.

For those following the AAA story line, I will say one more thing.  Museum Anthropology Review is many things.  One of these is a purposeful experiment designed to generate reliable research findings on the viability of gold open access publishing in anthropology and neighboring fields.  It is not rocket science to see that it is structured to provide a very easy to grasp comparison with Museum Anthropology. (I did all that I could to succeed with Museum Anthropology and I am doing all that I can to succeed with MAR. The natural experiment aspect was highlighted in the IHE story.) MAR was founded with the blessing of the Council for Museum Anthropology as a possible successor to Museum Anthropology had that journal died during the section/cost crisis that preceded the Wiley partnership.

The deal with Wiley meant that Museum Anthropology would not end and, for the time being, it would continue as it had been. As a person who gave a vast amount to save that journal, I am glad that it still exists. My happiness in this is greatly reduced though knowing what I sacrificed to my Dean and others in order to gather additional subsidies aimed at balancing its books AND by my bitterness (yes, it is bitterness) at having these subsidies (and self-sacrifices of a significant professional sort) enclosed by Wiley and the AAA Executive Board without my having any voice in the matter.

So.  Museum Anthropology Review is, as Golub has sought to argue, a (modest and fallible) demonstration that another world is possible.  I cannot speak for them, but every sign suggests that the Indiana University Bloomington Libraries would have been happy to publish Museum Anthropology just as it now publishes Museum Anthropology Review.  Had such an alternative future been realized, Museum Anthropology might have generated no revenues, but it also might have generated no costs.  And, its content would have been freely available to everyone with the capacity to get online.

Neither MAR nor Museum Anthropology are flagship journals with impact factor rankings (yet).  It is easy to imagine that the American Ethnologist (for instance) somehow just has to be different, more complicated, more expensive.  But if it were published using Open Journal Systems in a AAA+Library partnership in an open access format available to all of the world, it would not loose its status as a premier journal with an impressive impact factor ranking.  It would not have to stop publishing four issues a year. The best authors and peer-reviewers and editors would still, presumably, want to be involved with it.  There would be additional costs, but they would be totally addressable with dues money and other subsidies. (For example, AE does and MAR does not yet use DOI numbers. This is a cost and benefit that MAR needs to start taking on soon.)

Anyone who has read this far belongs to the choir and I will stop preaching now. My thanks go to everyone who is working to solve the massive problems that the scholarly communication system and the scholarly society system and the research library system are facing.

Noyes on the Oversimplications of Cultural Property and Heritage Policy

An important working paper by my friend Dorry Noyes presenting alternatives to the conceptual oversimplifications common in cultural property and cultural heritage policy has just been circulated by the Interdisciplinary Research Group on Cultural Property at the University of Göttingen. Help make the argument even stronger with your comments and feedback here: http://www.cultural-property.org/2010/cp-101-how-traditional-culture-works

Lots to think with and work on.

AcademiX Presentations on Open Access Now Online

I am happy to report that the videos from the AcademiX 2010 conference on “Learning in an Open-Access World” are now online.  One can get to them via this page on the MacLearning.org site or one can just go into iTunes University in iTunes and search on AcademiX or a particular presenter’s name. While they are embedded in iTunes, they are free to all those who wish to consult them.  As discussed here earlier, my presentation is titled: “Innovation and Open Access in Scholarly Journal Publishing.” The other presenters and their titles are:

  • John Wilbanks (Creative Commons) Commons-Based Licensing and Scholarship – The Next Layer of the Network
  • Ben Hawkridge (Open University) New Channels for Learning – Podcasting Opportunities for a Distance University
  • Kurt Squire (University of Wisconsin-Madison) Education for a Mobile Generation
  • Nick Shockey (Scholarly Publishing and Academic Resources Coalition) The Digital Natives are Getting Restless – The Student Voice of the Open Access Movement
  • Richard E. Miller (Rutgers University) and Paul Hammond (Rutgers University) This is How We Think – Learning in Public After the Paradigm Shift

I hope that our presentations are useful to the community in their this new form. Thank you to Apple for hosting the gathering and making these materials freely available online.

Cutting Ties with Nature Publishing Group

UCLA leadership explains why faculty need to cut ties with Nature Publishing Group. See the document available via this post on the UCLA Biomedical Library weblog. A 400% increase in subscription costs! Madness.

Our Circulatory System (or Folklore Studies Publishing in the Era of Open Access, Corporate Enclosure and the Transformation of Scholarly Societies)

The following essay is adapted from a talk given on March 6, 2009 as part of the symposium “The Form of Value in Globalized Traditions” organized by the Center for Folklore Studies at the Ohio State University, Columbus Ohio. At the time, I discussed my participation in this event here. This essay builds upon three reviews of open access issues in folkloristics that I authored for the weblog Open Access Anthropology in winter 2008 (Jackson 2008a, 2008b, 2008c). Inspired this week by the Hacking the Academy project and by Ted Striphas’ recent examination of scholarly communications issues within the field of cultural studies (Striphas 2010a, 2010b), I decided not to leave the essay sitting on the back-burner. In lieu of doing something more formal with it later, I am publishing it here in the hope that it will prove useful to a colleagues in folklore studies and neighboring fields.

Our Circulatory System (or Folklore Studies Publishing in the Era of Open Access, Corporate Enclosure and the Transformation of Scholarly Societies)

Jason Baird Jackson
Indiana University, Bloomington

The system of scholarly communication in which folkloristics is a small but important part is quickly changing in some dramatic ways. The phenomena falling under this rubric become more diverse and interconnected everyday and the good and bad news seems to come at an every quicker rate. To begin with a tangible example, a key publisher in our field and the home to three of its four main English-language introductory textbooks is Utah State University Press. When I prepared this essay in the spring of 2009, our field feared that the press would cease operations in the context of its university’s response to the current global economic crisis (Howard 2009; Jaschik 2009; Spooner 2009). On the brink of disappearance, Utah State University Press was instead made a unit of its university library (Utah State University 2009). It is not unique in undergoing such a dramatic transition. The present economic climate will almost certainly accelerate further various processes of change that were well already underway. Many of these shifts are positive, but whether for the good or for the bad, they are prompting some fundamental reconsiderations of: (1) of the genres of scholarly production, (2) of the paths down which we circulate our work, (3) of the publics whom we seek to address, (4) of the hierarchies of value that we used to judge and reward good work, (5) of the partners with whom we collaborate, (6) of the technologies that we harness, and (7) of the means by which we pay the bills.
Read more

AcademiX 2010: Learning in an Open-Access World

The second conference of the week was AcademiX 2010, an event sponsored by Apple and MacLearning.org (an Apple affiliate organization comprised of people interested in educational uses of Apple technology). The event’s complex structure made it a real learning experience for me. I had not previously participated in an event of this type. I was at Northwestern University, one of two primary sites for the conference. The other main site was at MIT. These two sites were connected with each other, with the Apple HQ in California, and with secondary sites at Duke University, San Diego State University, the University of Kansas, the University of Minnesota, and the University of New Mexico. Beyond these physical conference sites, there were a great many conference participants experiencing the conference online from their desktops. Video and audio linked all of these places and people together.

The focus of the event was “Learning in an Open-access World.” My mandate was to speak about academic open access in the scholarly communications sense relating to peer-reviewed scholarly literature, but the program was broader than this area. John Wilbanks (Creative Commons) spoke of “Commons-Based Licensing and Scholarship: The Next Layer of the Network.” Ben Hawkridge (Open University) presented “New Channels for Learning: Podcasting Opportunities for a Distance University.” Kurt Squire (University of Wisconsin-Madison) discussed the findings of his research on “Education for a Mobile Generation.” Nick Shockey (SPARC) presented “The Digital Natives Are Getting Restless: the Student Voice of the Open Access Movement.” In the final slot, Paul Hammond (Rutgers University and Richard Miller (Rutgers University) co-presented “This is How We Think: Learning in Public After the Paradigm Shift.”

Read more