A very small “wedding jug” by Eastern Cherokee potter Maude Welch (1894-1953). William C. Sturtevant collected this piece from Ms. Welch on September 15, 1951, about two years before her death. Drawing upon her experience visiting Catawba potters, Mrs. Welch was central to the revitalization of pottery making among the Eastern Cherokee. A rich profile of her and her work is available online from the Western Carolina University library. It was authored by M. Anna Fariello.
This piece (which is only about 2″ in all dimensions) is in the William C. Sturtevant Collection, Department of Anthropology, National Museum of Natural History, Smithsonian Institution. For those who are interested in such things, Sturtevant paid Mrs. Welch’s asking price of 50 cents. (Fifty cents is about $4.00 today, if adjusted for inflation.)
The William C. Sturtevant collection includes a nice group of coiled, sea grass baskets created by the African American weavers of the Sea Island region near Charleston, South Carolina. The better documented of these were collected by William C. Sturtevant in 1959. In this group is the basket shown above. It was made by Mary Jane Manigault (1913-2010), a basket maker who would go on (25 years later) to be awarded a National Heritage Fellowship from the National Endowment for the Arts in 1984.
There is a rich literature about the Sea Island basketry tradition. A recent work is the exhibition catalog Grass Roots: The African Origins of an American Art. The volume was edited by Dale Rosengarten, Theodore Rosengarten, and Enid Schildkrout and published by the Museum of African Art in 2008. The associated exhibition led to free online resources on the subject being made available through the Museum of African Art, the National Museum of African Art, and the McKissick Museum at the University of South Carolina.
Interestingly, one of William Sturtevant’s photographs from his 1959 visit to the Sea Island region was featured in the Grass Roots exhibition’s online presence. It is an image of Pearl Dingle weaving a basket at her family’s stand in Mt. Pleasant South Carolina. You can see it on the McKissick website.
The rich obituary for Mrs. Manigault published on the website for the documentary film Bin Yah: There is No Place Like Home is definitely worth checking out. It notes that her baskets are among those in the amazing Sea Island collection curated at the Mathers Museum (at Indiana University) where I work as a Faculty Curator. The NEA National Heritage Fellow profile for her is another great online resource.
This basket is currently identified as T331 and is from the William C. Sturtevant Collection, Department of Anthropology, National Museum of Natural History, Smithsonian Institution.