Here on Shreds and Patches, there is a new menu item for Projects. The Projects landing page gives a quick overview of, and links to, some of key projects that I am involved in and the menu can also lead visitors directly to project pages. Right now there are project pages for the “Museum Ethnography in the Native South” project (2020-present) and two sub-projects of the larger “China-US Folklore and Intangible Cultural Heritage Project” of the American Folklore Society and the China Folklore Society. These are the “Collaborative Work in Museum Folklore and Heritage Studies” (2017-present) and “Intangible Cultural Heritage and Ethnographic Museum Practice” (2013-2016).
Posts from the ‘Native American and Indigenous Studies’ Category
The MMWC has a huge amount of exhibition-related news. This week I devote a series of posts to highlighting some of these developments.
I sure wish I could have taken an anthropology course while in high school! Even better would have been an anthropology course that offered my classmates and I the chance to translate our studies into a public museum exhibition. Thankfully such a course is offered at the International School in Indianapolis, where a group of students have worked closely with faculty members Frédéric and Bernadette Allamel not only to develop their anthropological knowledge but to pursue specific studies of the culture and arts of the Shipibo people of the Peruvian Amazon. One culmination of these studies is the exhibition Echoes of the Rainforest: The Visual Arts of the Shipibo Indians. The exhibition opened to the public today (March 19, 2019) and will be on view at the Mathers Museum of World Cultures through December 22, 2019. The exhibition features ceramics, textiles and other remarkable objects and works of art reflective of Shipibo culture, history, and aesthetics. These works are contextualized with ethnographic photographs drawn from Bernadette and Frédéric’s fieldwork and a well-crafted exhibition script. The exhibition and the objects and images that it contains are visually stunning and the exhibition offers visitors a great deal of knowledge and insight.
I hope that everyone in Bloomington and Southern Indiana will come out for this exhibition. My quick iPhone images do not do the exhibition justice. It is a knock-out. Come see it and marvel at the work that this group of young museum anthropologists has accomplished.
Special thanks to Frédéric and Bernadette Allame and their wonderful students.
Which Shreds and Patches posts were most popular in 2018? These were:
- What is the current status of confidentiality and non-disclosure policies at HAU?
- Coconut Rattles in Florida and Oklahoma
- What is the Museum Anthropology Review Business (Labor) Model?
- The IU Gateway Office and Tsinghua University Art Museum (12/8)
- The University of Tartu, Appreciated
- The Mallet: Making a Maul in a Baiku Yao Community
- Beijing’s 798 Art Zone, Revisited, Again (12/9)
- The Ethnic Costume Museum at the Beijing Institute of Fashion Technology (12/9)
- Workshop on Ethnographic Methods in Museum Folklore and Ethnology
- Pot Holders, Or William C. Sturtevant Collections Research, Day 1
Numbers 1 and 3 arose in the context of the systemic problems with Hau that became widely known and discussed beginning last summer. Numbers 4, 6, 7, 8, and 9 relate to collaborative work in China. Numbers 2 and 10 are retro posts that I wrote back in 2012 and relate to studies of the William C. Sturtevant Collection at the National Museum of Natural History. Number 5 is a post related to my 2019 travels in Estonia.
Shreds and Patches has featured 580 posts spread over about 4123 days since my first post, The site software reports 101,258 views from 30,545 visitors. The peak week for 2018 was June 11-17, when the Hau inspired posts appeared. That week saw 2076 views from 1675 visitors. Peak wordiness came in 2011 with 41,403 words. This year saw 22,681 words (prior to this post).
Thanks to everyone who reads and appreciates the posts and special appreciation goes to the those who wrote guest posts during 2018. Happy new year everyone.
Congratulations to the Denver Museum of Nature and Science on the Publication of Navajo Textiles Volume
Congratulations our colleagues at in the Department of Anthropology at the the Denver Museum of Nature and Science on the publication of the new volume Navajo Textiles: The Crane Collection at the Denver Museum of Nature and Science (Denver: Denver Museum of Nature and Science; Boulder: University Press of Colorado, 2017). It is a beautiful volume contextualizing a beautiful collection of Navajo textiles. Kudos especially to the contributing authors, photographers, and everyone else who brought the project to life.
As I discussed in a previous post, works in the Material Vernaculars series are being made available in a free-to-readers PDF edition via IUScholarWorks. The eponymous edited collection Material Vernaculars: Objects, Images, and Their Social Worlds was posted today and you can find it here: http://hdl.handle.net/2022/20925
If you think that high quality open and/or free access editions of scholarly monographs are a good thing, and if you have the means to do so, I urge you to purchase copies of the companion print or ebook editions as a way of supporting the cause and subsidizing the access of others, including those who cannot otherwise afford to obtain the book. If you really want to make a difference, consider donating to the not-for-profit publishers and libraries behind such efforts. In our case, you can contribute to the Indiana University Press (co-publisher of the Material Vernaculars series with the Mathers Museum of World Cultures) here: http://www.iupress.indiana.edu/pages.php?CDpath=12
Here is a screen shot showing you where to click to download Material Vernaculars. The image should link to the page in IUScholarWorks where the book is found. (The link is given above as well.)
I am happy to share this note to report that the edited collection Material Vernaculars: Objects, Images, and Their Social Worlds has now been published. I am the editor of this volume, which includes contributions to material culture studies from Dan Swan and Jim Cooley, Jon Kay, Michael Paul Jordan, Danille Elise Christensen, and Gabrielle Berlinger. I love the work that my colleagues contributed to the book. In addition to sharing their scholarship, the volume serves to launch the Material Vernaculars book series of which it is a part. Also appearing in the new series, is Jon Kay’s Folk Art and Aging: Life-Story Objects and Their Makers (it was published last month).
The new series is published by the Indiana University Press in cooperation with the Mathers Museum of World Cultures. IU Press is to be commended for its hard work bringing Material Vernaculars to press. Most of the papers in the volume were presented last fall at the 2015 Annual Meetings of the American Folklore Society. The papers were presented, revised, peer-reviewed, revised again, copy edited, typeset, proof-read, corrected and processed for final publication (etc.) in less than a year, a scenario that is simply unprecedented in the world of academic book publishing. And the results are great–a well-designed, well-edited book that is rich with color images. Its all first rate.
IU Press has a big sale going through tomorrow (October 30). Its a perfect time to check out their list and perhaps purchase this new title. Paperback and Hardback editions are now available. Electronic editions are on their way. (More on that asap.)
For me, new light was just cast on a basket in the William C. Sturtevant Collection in the Department of Anthropology, National Museum of Natural History, Smithsonian Institution. In the mail, I just received a slew of basketry books. This is a topic on which I need to get caught up for a number of interconnected purposes, including for the analysis and publication of the Mathers Museum of World Cultures basketry collections (especially the Eastern Cherokee baskets, which will be the focus of an exhibition that I will co-curate).
Among the used books that I just received is Baskets and Basket Makers in Southern Appalachia by John Rice Irwin (Exton, PA: Schiffer Publishing, 1982). In a chapter devoted to “The Indian Influence on Southern Appalachian Mountain Baskets” the author describes a relatively unfamiliar (to me, at this stage, at least) basket form on the basis of an example believed (to the author, at least) to be Cherokee and collected in Buncombe County, NC (p. 157). The basket discussed by Irwin is similarly shaped and similarly sized to a basket that I studied a few summers ago in the Sturtevant collection at NMNH. The splint basket that Sturtevant collected among the Eastern Cherokee is pictured here:
It shares the same, flat on one side, curved on the other, shape as the basket pictured by Irwin. In a photo on p. 157, Irwin photographed a older boy holding the basket under his right arm, thereby illustrating how the shape of both baskets facilitates the collecting of berries, nuts, etc. with both hands. Prior to getting direct information from a Cherokee consultant who has made or used such a basket, this (that is, Irwin’s) is a much better account of this shape and its use that I had been speculating about.
Museum Anthropology Review (MAR) has just published a new double issue—its first themed collection. Volume 7, number 1-2 of MAR collects papers originally presented at a January 2012 workshop titled “After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge.” Hosted by the National Museum of Natural History, Smithsonian Institution and funded by the (U.S.) National Science Foundation and the Understanding the American Experience and World Cultures Consortia of the Smithsonian Institution, the workshop was organized by Kimberly Christen (Washington State University), Joshua Bell (Smithsonian Institution), and Mark Turin (Yale University). The workshop brought together scholars from indigenous communities, cultural anthropology, folklore studies, ethnomusicology, linguistics, and collecting institutions to document best practices and case studies of digital repatriation in order to theorize the broad impacts of such processes in relation to: linguistic revitalization of endangered languages, cultural revitalization of traditional practices, and the creation of new knowledge stemming from the return of digitized material culture. Like the workshop itself, the peer-reviewed and revised papers collected in MAR ask how, and if, marginalized communities can reinvigorate their local knowledge practices, languages, and cultural products through the reuse of digitally repatriated materials and distributed technologies. The authors of the collected papers all have expertise in applied digital repatriation projects and share theoretical concerns that locate knowledge creation within both culturally specific dynamics and technological applications.
Find this special issue of MAR online at: http://scholarworks.iu.edu/journals/index.php/mar/issue/view/233
As it has always been, MAR is an open access, peer-reviewed journal free to all readers. With volume 8, to be published in 2014, MAR is becoming the journal of the Mathers Museum of World Cultures. It will continue to be published in partnership with the Indiana University Libraries with assistance from the IU Department of Folklore and Ethnomusicology and other partners.
Museums of Ethnography and Cultural History Celebrate Fiftieth Anniversaries and Welcome New Directors
I will say more detailed things about the Mathers Museum of World Cultures during 2013 in later posts. Here I just want to flag a few happy curiosities.
Today is the last day of 2013 and 2013 marked the 50th anniversary of the Mathers Museum of World Cultures. This fact made it an extra wonderful year to begin service as the museum’s Director. The exhibition Treasures of the Mathers Museum was the centerpiece of our celebratory activities and a new strategic plan was the fruit of our reflections on the past and our goal setting for the future. We have made good progress on our goals for the second half century, but that is for a future post.
We were not alone among museums of ethnography, cultural history, and world cultures celebrating golden anniversaries in 2013. Joining us in such celebrations were the Fowler Museum at UCLA, the Wake Forest Museum of Anthropology, and the Cherokee Heritage Center. (2013 saw other notable 50th anniversaries in the broader museum world, including the 50th anniversary of the University of Wisconsin Milwaukee/Milwaukee Public Museum museum studies program.) Congratulations to all of the half century celebrants, especially to these museums in our corner of the field.
2013 was also a year for new directors among such museums. I am happy to be among them. My friend Candessa Tehee and I shared the experience of becoming directors during a 50th anniversary. Candessa is the new Executive Director of the Cherokee Heritage Center. Robert Preucel was named the new Director of the Haffenreffer Museum of Anthropology at Brown University and Patrick Lyons was named the new Director of the Arizona State Museum at the University of Arizona. The Cherokee Heritage Center was not the only Cherokee museum to get a new director, The Museum of the Cherokee Indian named James “Bo” Taylor as Executive Director. I am sure that I missed someone (please add them in the comments), but I want to wish all of these new directors well. It is an exciting time for our field and I look forward to seeing where we all collectively go during 2014.