Skip to content

Posts from the ‘Conferences’ Category

CFP: Museum Anthropology Futures

On behalf of the Council for Museum Anthropology, I am happy to pass along the call for proposals for the Museum Anthropology Futures conference in Montreal this May. Find details below. (Quoted material follows, contact the organizers with questions or concerns.)

Call for Session Proposals: “Museum Anthropology Futures” Conference (due March 1)
Council for Museum Anthropology Inaugural Conference

May 25-27, 2017 at Concordia University, Montreal, Quebec, Canada

The Council for Museum Anthropology is seeking submissions for its inaugural conference taking place in Montreal from May 25-27, 2017. This will not be your traditional conference experience! “Museum Anthropology Futures” seeks to spark critical reflection and discussion on (1) the state of museum anthropology as an academic discipline; (2) innovative methods for the use of collections; (3) exhibition experiments that engage with anthropological research; and (4) museums as significant sites for grappling with pressing social concerns such as immigration, inequality, racism, colonial legacies, heritage preservation, cultural identities, representation, and creativity as productive responses to these.

The conference will have several sessions each day that all participants will attend, as well as one period each day with breakout sessions like workshops and formats that would benefit from a more intimate setting for dialogue and collaboration.
We are seeking session proposals that are different than the usual call for papers – see session descriptions below. Feel free to email us with questions at museumfutures2017@gmail.com.

Updates available at our Facebook page, https://www.facebook.com/MuseumFutures/

Email your session proposal to museumfutures2017@gmail.com by March 1, 2017

Please provide the following information in your email text, no attachment:

1) Your name, title, home institution (if applicable), and email address
2) Your proposed session format (see below)
3) The title of your session
4) Additional session participants if a group submission (title and email address)
5) A description of your session (max 150 words) Specific requirements for each format below.
6) What you hope to achieve in presenting/participating in this session (1-3 sentences)
7) What you believe this session can contribute to museum futures (1-3 sentences)
***Please note: Some Workshops and Pre-circulated Paper sessions will be by registration only due to limited capacity. All other sessions are open to all conference participants. For example, Roundtable or PechaKucha sessions will have several presenters who discuss their work, and the audience attending the session is invited to listen and ask questions or give feedback.***

SESSION FORMATS
Read more

Seeking Applicants | Museums at the Crossroads: Local Knowledge, Global Encounters

Call for Applications (Deadline Nov. 15)

Museums at the Crossroads:  Local Knowledge, Global Encounters

A Summer Institute of the Mathers Museum of World Cultures and the School of Global and International Studies, Indiana University

Bloomington, Indiana, USA
May 14-21, 2015

The Indiana University Mathers Museum of World Cultures and School of Global and International Studies invite applications for up to eight Museum Partners who will take part in an innovative international workshop on the future of museums of culture and history.

Museums at the Crossroads, scheduled for May 14-21, 2015, in the beautiful college town of Bloomington, Indiana, combines keynote addresses, tours, charrettes, and social interactions. We seek applications from museum practitioners and theorists who wish to partner in conversation and creative practice with a group of invited keynote speakers and international museum fellows in a small, informal workshop setting.  Successful applicants will receive eight nights of on-campus lodging and per diem support of $45 for eight days.

About Museums at the Crossroads

Museums at the Crossroads connects theory and practice, bridging institutional, regional, and national museum contexts in order to advance the global conversation around museums and generate a range of practical outcomes for its participants.

Workshop participants will include:

•    4 international fellows from innovative museums around the globe
•    8 museum partners drawn from museums and other institutions in the United States and abroad
•    12 Indiana University faculty, staff, and graduate students
•    4 keynote speakers, each addressing a broader social and cultural theme that we wish to explore in depth in museum contexts.

Our keynote speakers are:

•    Steven Lubar, Brown University (keynote on Today’s Museum:  Innovation, Change, and Challenge)
•    Michael F. Brown, School for Advanced Research (keynote on Cultural Crossroads:  World Cultures in Transition)
•    Stephan Fuchs, University of Virginia (keynote on Disciplinary Crossroads:  The Evolving Sociology of Knowledge)
•    Haidy Geismar, University College London (keynote on Artifactual Crossroads:  Real Meets Virtual)

Museum Partners will be responsible for their own travel arrangements to and from Bloomington, Indiana, and are expected to participate actively in the full workshop and in associated follow-on activities. Prior to attending, each shall develop an institutional profile that includes an account of challenges your museum faces relative to the three “crossroads” (Cultural, Disciplinary, Artifactual) being explored in the workshop. Partners without a museum affiliation will be asked to prepare a comparable position paper on the themes.

How to Apply

To apply for a position as Museum Partner, please send a resume or curriculum vitae, as well as a cover letter expressing your interest, as a PDF email attachment to:

Sarah Hatcher, c/o mxrd@indiana.edu.

Review of applications will begin November 15, 2014, with applicants receiving notifications by December 15, 2014.

Further Information

For additional detail on the scope and nature of Museums at the Crossroads, see the workshop précis, which is accessible online at: http://www.mathers.indiana.edu/crossroads.html.

Additional information about Indiana University Bloomington can be found at: http://iub.edu/.

Information on the Mathers Museum of World Cultures is available at: http://mathers.indiana.edu/.

Questions about the workshop can be addressed to the organizers at: mxrd@indiana.edu.

A Museum-Minded Guide to the 2014 American Folklore Society Meetings

Cross-posted from AFS News.

Folklorists with an interest in museums are feeling quite excited about the upcoming American Folklore Society annual meeting in Santa Fe, New Mexico (November 5-8, 2014). The home to many world-class museums, Santa Fe is always a favorite with museum lovers, whether they are enthusiastic avocational visitors or veteran museum workers. This year, Santa Fe’s wonderful museums compete for our attention with an AFS meeting program that is unusually broad and deep in its engagement with museums as rich sites for collaboration, education, and community empowerment as well as for ethnographic, historical, and comparative research. If your plans are not yet finalized, please consider joining us in Santa Fe.

For those with museum interests, there are too many wonderful panels and presentations to enumerate all of them here. Many material culture panels—covering everything from food ways to architecture—appear throughout the program and will certainly attract the attention of museum-minded folklorists. The same can be said for public folklore programming and other themes of perennial concern. Here I highlight a selection of promising events of likely interest to those eager to learn more about the intersection of folklore studies and museum practices. This account though is just a selection drawn from the larger program and I know that much wonderful work of museum-interest is not flagged here. The Santa Fe program will provide a near infinite number of options for all of us.

Before the meetings even officially open, an abundance of museum-relevant offerings on Wednesday will get us in the mood for a jam-packed program. While the rich set of tour choices have understandably attracted many in the museums crowd, some museum folklorists have understandably been drawn to the “Experiments in Exhibition Workshop” that has been organized by Carrie Hertz and Suzanne Seriff at the Museum of International Folk Art. This innovative hands-on gathering has been sponsored by the Museum of International Folk Art, the AFS Folklore and Museum Policy and Practice Working Group, the Folklore and Education Section, and Local Learning: The National Network for Folk Arts in Education.

The Experiments in Exhibition Workshop is only one of a number of special events connected to our hosts at the Museum of International Folk Art. Kicking off the meeting’s panel sessions on Thursday morning, is a double session on “Pottery of the US South” that will offer a diversity of viewpoints on a topic that is the focus of the museum’s special exhibition of the same name. Those attending the exhibition’s opening later on Thursday may wish to attend one or both of these companion panels [01-01, 02-01].

Also in the first time slot on Thursday is Dress, Culture, and Identity: Museum Collections and Outreach, which has been sponsored by the Folklore and Education Section [01-04]. For those with museum interests, difficult choices or shuttling between rooms will be a welcome challenge throughout the meetings.

Running alongside the second pottery panel in the second slot on Thursday is the first of a series of museum-focused panels organized by the Folklore and Museum Policy and Practice Working Group. Leading off the working group’s series is a forum in which group members will update the membership on its work and solicit questions, concerns, and contributions from the field in anticipation of a final working group white paper and a range of spin off publications—all of which will aim to strengthen understanding of, and opportunities in, museum-based folklore studies [02-04]. The series of panels organized by the working group all aim to facilitate the sharing of innovative case studies and hard won experience throughout, and beyond, the field. Please join the conversation.

After lunch on Thursday, a second working group event will be held—a diamond session on “Current Digital Projects in Ethnographic Museum Contexts” [03-04]. This panel runs concurrently with “Folk Art, Folk Craft I”, which also includes presentations of special relevance to those with museum interests [03-17].

A highpoint of the conference will happen on Thursday evening, from 5:00 to 7:30 p.m. This is when the “Open House on Museum Hill” will be held. All of the Museum of International Folk Art and Museum of Indian Arts and Culture galleries and gift shops will be open and attendees will have the unique opportunity of seeing a performance by the Cibecue Creek Apache Crown Dancers. Check your program for details on other musical and exhibition offerings, as well as shuttle information. There are many great choices lined up and we will also be able to indulge in diverse fare with food trucks providing local and international foods for purchase.

Among the many museum scholars attending AFS for the first time is Aaron Glass of the Bard Graduate Center. On Thursday evening, following the events on Museum Hill, Glass will be screening “In the Land of the Head Hunters: A Newly Restored Version of Edward S. Curtis’s 1914 Silent Film Made with the Kwakwaka’wakw (Kwakiutl) of British Columbia.” This special event should have wide appeal to all who have heard of Curtis’ famous work or who have interests in archives, Native American culture, community collaboration, or visual methods and productions.

Museum-focused panels begin again on Friday with “Movement Creates Museum: Activist Beginnings of Historic Sites of Conscience” [04-01], which runs concurrently with “Archives, Museums, Collections I” [04-08]. These two panels are followed by another museums working group event: “At the Crossroads of Museums and the Marketplace” [05-03].

After lunch on Friday, hard choices continue with “Archives, Museums, and Collections II” [06-03] running concurrently with another panel with much museum content—the diamond session “People and Things: Material Culture Research at the Crossroads” [06-05].

A further museums working group event kicks off Saturday morning: “At the Crossroads of Museums and Communities” [07-01]. This event is followed by “At the Crossroads of Folklore and Museum Education” [08-05], which has been sponsored by the Folklore and Education Section.

In the conference’s final time slot for presentations, museum-relevant papers appear in “The Crossroads Are Owned: Folklore Institutions and the Negotiation of Public and Personal Tradition” [09-07], which runs concurrently with the final event of the museums working group series. It is: “Museums and Intangible Heritage: Connecting the Tangible with the Intangible” [09-16] as well as a panel discussion grounded in the work of the Museum of International Folk Art’s Gallery of Conscience initiative: “Community Crossroads: Integrating Folk Art, Media, and Youth to Impact HIV/AIDS Advocacy” [09-03].

Among the special features of the Santa Fe meetings will be the presence of many first-time attendees who are museum colleagues from China and the United States. Their attendance follows from the work of the joint China Folklore Society-American Folklore Society project focused on folklore and intangible cultural heritage (ICH). The current, second phase of this Luce Foundation-funded effort is focused on museums and ICH policies in both countries. For those interested in learning more about the current “Intangible Cultural Heritage and Ethnographic Museum Practice” project as well as the broader “China-US Folklore and Intangible Cultural Heritage Project” can find details on the AFS website.

As suggested above, this year’s museums-rich program has also attracted first-time attendees and guests from neighboring fields sharing our museum interests, including cultural anthropology and Native American studies. I would like to encourage all AFS regulars to welcome and connect with these many new AFS meeting participants. As always, AFS will also attract many students. This year will provide them with an unusually rich opportunity to learn about museum-based folklore practice and to engage with colleagues, projects, institutions, and ideas in the wider museum field.

Thanks to all who have worked hard to assemble such a rich set of events and scholarly presentations for the Santa Fe meetings.

Bourke-White Exhibition Opening

Congratulations to exhibition curator Alex Lichtenstein on the very successful opening, this evening, of “Photos in Black and White: Margaret Bourke-White and the Dawn of Apartheid in South Africa.” More than 130 students, community members, photography enthusiasts, faculty members, Mathers Museum boosters, and Mellon Innovating International Research, Teaching and Collaboration (MIIRT) conference participants converged on the MMWC from 4 to 6 pm today to see, and learn from, Alex’s exhibition, to discuss South Africa, past and present, and to hear from Alex and two special guests from South Africa–Dudu Madonsela, Chief Curator at the Bensusan Museum of Photography in Johannesburg, and leading contemporary photographer Cedric Nunn. Thanks to everyone who participated in the opening and who lent support to the exhibition and its associated activities.

If you missed the opening, or just want to go further with it, you can check out the companion website, attend the upcoming symposium or film series, and, for the truly ambitious, see the exhibition when it travels to South Africa next year. The exhibition can, of course, be seen at the MMWC throughout the rest of 2013.

Excellent Symposium Concludes 2013 Summer Institute in Museum Anthropology

Many things have been happening lately–so many that keeping up with them here has been difficult. Many good things have gone unreported and some bad current events (global and national, not personal) have gone un-commented upon. I am pleased though to celebrate the conclusion of the 2013 Summer Institute in Museum Anthropology. I was invited to join the institute for its last week and a half and to participate in its concluding symposium at the National Museum of Natural History (NMNH) on the Mall in Washington. In the symposium, SIMA’s twelve graduate student participants presented the initial findings of their four-week research projects utilizing the (amazing) collections–both objects and archival materials–of the NMNH Department of Anthropology. The students came to SIMA from many different graduate programs and backgrounds and possessed a diversity of historical, ethnographic, topical, and theoretical interests. They did wonderful work and I learned a lot from their studies and from their careful and compelling reporting. While they have further to go, of course, with their projects, I think that it is pretty exciting to hear the results of four intensive weeks of research as the concluding act of that same four week process. Quite remarkable.

I am very appreciative of my continued association with this wonderful program. I am glad that I have been able to help it continue moving along so well.

SIMA will happen again next summer. Details will be posted here on the SIMA website in the months ahead.

On “New Forms of Scholarly Communication”

Presented below are remarks prepared for a meeting of Indiana University Bloomington (IUB) Department Chairs and Academic Associate Deans hosted by the IUB Office of the Vice Provost for Faculty and Academic Affairs. The focus of the larger gathering was a campus-wide discussion of tenure and promotion issues, with a special emphasis on current draft revisions to campus-level tenure and promotion guidelines. The task assigned to me was to reflect on the place of new forms of scholarly communication in the tenure and promotion mix. Other speakers were recruited to address diversity, interdisciplinarity, and public scholarly engagement. Speakers were grouped into two person panels and allotted five (and only five) minutes for a statement. Ten minutes of discussion was scheduled on each theme following the two presentations.

Because it was a campus-wide event and because it was anticipated by the vice provost that my co-presenter Ruth Stone would speak about issues in the digital humanities, I endeavored to draw my examples from further afield. The brevity of the assignment precluded discussion of many of my favorite examples and many relevant issues (ex: the role of scholarly societies or issues of open access) were not raised at all. To help my listeners find their way to the conversations that I evoked, I offer my text here with the links that oral presentation could not facilitate.

There are countless resources available for the purpose of gaining an introduction to the subject of change in scholarly communication. One very reasonable and appropriate overview–inclusive of a call for wider discussion among researchers–is available in Karla L. Hahn’s (2008) “Talk About Talking About New Models of Scholarly Communication.”

My thanks go to Vice Provost Tom Gieryn for the opportunity to make this presentation.

. . .

While I will use a few examples, my task is to reinforce four general themes that you are probably already are carrying into discussions with your departmental and disciplinary colleagues—change, genres, processes, and metrics.

Change. As reflected in the draft guidelines, junior faculty are pursuing careers that bear less and less resemblance to those of their mentors. As with most forms of cultural change, there will be losses and gains attendant to these shifts. Regardless of our own hopes and fears, we have an obligation to engage with the shifts happening to us. A fringe benefit of moments of discontinuity is that they help us focus more intensively on our persistent core values. How we do peer-assessment and how impactfulness is achieved and assessed are very much in flux, but their centrality as values is not. Read more

Open Research and Learning: Collaboration, Connections, and Communities

I am very happy to be again visiting the University of Minnesota in the Twin Cities. Over the weekend, I participated in a wonderful conference on the “Anthropology of Performance” organized by the industrious undergraduate students in the Department of Anthropology here. The conference included work in all four of anthropology’s four sub-fields, plus folklore studies and social psychology. The student presentations were outstanding. The number of soon to finish students reporting on nearly complete senior theses was amazing and the quality of their research and presentations was very impressive. Congratulations to the students and to the faculty and advisers who are supporting them.

Today I get to reconnect with my friends at the library here. I will be participating in a very promising event on “Open Research and Learning: Collaboration, Connections, and Communities.” The event includes an amazing group of people. David Ernst, Director of Academic Technology in the UM College of Education and Human Development will discuss open textbooks. Astronomer Lucy Fortson will discuss open data, and University of Minnesota Press Director Doug Armato will discuss open publishing projects at the press. Copyright librarian Nancy Sims–whom you should certainly be following on Twitter (@CopyrightLibn)–will be the moderator. I will be talking about the ways that open access projects foster richer forms of scholarly collaboration. I am really looking forward to it and I am thankful that the kind invitation from the anthropology students has allowed me to reconnect with the scholarly communications community at Minnesota. Thank you to all of the faculty and researchers who have signed up for today’s event. Information on the event is online here.

Stuff to Check Out: Digital Return, Open Access, Annotum, Anthropology Report

There is a lot going on these days. Here are a few things I am taking note of. I hope to check these projects and tools out more carefully soon.

The upcoming Digital Return workshop being organized by Kim Christen, Josh Bell and Mark Turin.

Peter Suber’s forthcoming book Open Access to be published in March by MIT Press.

The Annotum theme for WordPress–a means for building more journal functionality into WordPress and WordPress.com sites.

Anthropology Report, recently launched by Jason Antrosio

Open Access Discussions at #AAA2011 and @savageminds

One last thanks to Ryan Anderson for his interview with me on open access issues. The final third was published today on Savage Minds. I hope that it proves useful to someone. The timing of the interview is great because I will be party to a couple discussions of scholarly communications issues at the American Anthropological Association meetings, which have already begun in Montreal.

In the session Digital Anthropology: Projects and Projections, I will be discussing library-scholarly society partnerships on the basis of my work with colleagues on the Open Folklore project. This panel is packed with wonderful colleagues and great projects. Thanks go to Mike Fortun for organizing it. It happens Sunday morning.

On Friday I will be part of a forum on The Future of AAA Publishing. I thank the AAA leadership for the invitation to participate in this gathering.

For everyone going to #AAA2011, have a great meeting.

A Day of Pre- Pre-conference Activities at #AFS11

Today, out of town folklorists started appearing around Bloomington for a series of events designed to rally the local troops and welcome the earliest of the visitors coming to Bloomington for the American Folklore Society meetings. I spent the early afternoon in a fruitful Open Folklore planning meeting, but my colleagues welcomed Dr. Fekade Azeze, Associate Associate Professor of Ethiopian Literature and Folklore, and Coordinator of the Folklore Graduate Programme, at Addis Adeba University in Ethiopia. USC Folklorist Tok Thompson moderated a discussion with Dr. Azeze at midday and then he delivered a lecture on customary dispute resolution in the afternoon. I made it to the talk and it was very stimulating material. Dr. Azeze described the customary legal system of two of the largest Ethiopian peoples and situated these practices in the contemporary context, describing efforts to study such systems as a means of indigenizing the national legal system, which is largely founded on non-Eithiopian principles and practices.

Immediately after the lecture, there was an opening reception for the Faces of Fieldwork exhibition curated by Pravina Shukla, Michael Lee, and Carrie Hertz and on exhibition at the Mathers Museum. The portrait photographs submitted by the contributing ethnographers were stunning, the exhibition was well mounted by the Mathers staff, and the reception was a nice opportunity to experience the exhibition and welcome guests to town for the meetings.

I had to get home for family responsibilities, by a departmental reception for early-arriving alumni (Department of Folklore and Ethnomusicology) was held. I am sure that a good time was had by all.

Tomorrow things begin in earnest, with pre-conference tours both on-campus (IU research collections and archives) and off (Southern Indiana regional sights focusing on the limestone industry). The meeting will open formally tomorrow night, with the highlight being Henry Glassie’s plenary lecture and a big welcoming reception. I will spend the day in an AFS board meeting.

Safe travels and welcome!

%d bloggers like this: