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Posts from the ‘Scholarly Communication’ Category

Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights

My review of Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights by former NEA Chairman (and AFS President) Bill Ivey was recently published in JFRR (Journal of Folklore Research Reviews). JFRR is an open access fork of the established toll access folklore journal Journal of Folklore Research. JFRR publishes reviews of diverse media in folklore studies and circulates the reviews via email.  They are also available in search-able form online at http://www.indiana.edu/~jofr/reviewsearch.php.

My review can be found online here:  http://www.indiana.edu/~jofr/review.php?id=715

Stuart Shieber on Dissertations Online

I recommend Stuart Shieber’s recent remarks on [OA] Dissertations being made available online. Shieber is Director of Harvard University’s Office of Scholarly Communications and a professor of computer science. He importantly highlights the foundational “public contribution to knowledge” dimension of the Ph.D. tradition.

Kim Fortun Reflects on the Open Folklore Project

Anthropologist and science studies scholar Kim Fortun has written an essay discussing the Open Folklore project for Anthropology News. Her piece is currently accessible (toll free) via the AAA website. Kim is the outgoing co-editor of  Cultural Anthropology and a thoughtful advocate for rethinking scholarly communication work in anthropology.

Why you should listen to librarians about copyright

Why you should listen to librarians about copyright.
http://blog.lib.umn.edu/copyrightlibn/2011/01/why-you-should-listen-to-librarians-about-copyright.html

Outstanding Collaboration Citation for Open Folklore

The Open Folklore project, a collaborative effort between the Indiana University Bloomington Libraries and the American Folklore Society, is the recipient of the 2011 Outstanding Collaboration Citation. The honor comes from the Association of Library Collections and Technical Services within the American Library Association.

The award recognizes and encourages collaborative problem-solving efforts in the areas of acquisition, access, management, preservation or archiving of library materials, as well as a demonstrated benefit from actions, services or products that improve and assist with the management of library collections.
Open Folklore debuted in October 2010 to provide open online access to many useful — but heretofore difficult to access — research materials in the field of folklore studies, including books, journals, “gray literature” (unpublished) and web sites.

“Open Folklore is extraordinary in its vision and its promise. A true example of the spectacular things that can be achieved together but which are entirely impossible alone,” said Julie Bobay, Associate Dean of IU Bloomington Libraries.

“Ultimately, Open Folklore will become a multifaceted resource, combining digitization and digital preservation of data, publications, educational materials and scholarship in folklore; promoting open access to these materials and providing an online search tool to enhance discoverability of relevant, reliable resources for folklore studies,” said Kurt Dewhurst, president of the American Folklore Society.

“As it grows, Open Folklore will provide a vehicle — guided by scholars — for libraries to re-envision our traditional library services centered on collections — selection, acquisition, describing, curating and providing access to a wide range of materials, published or not,” said Brenda Johnson, Dean of IU Bloomington Libraries. “The progress of this experiment will, in a very real way, illuminate the path academic libraries must take in supporting collection development in the digital age.”

Primarily, Open Folklore was developed so quickly and productively because of the close match between the collection development and scholarly communications priorities of the IU Libraries and the American Folklore Society, Dewhurst said.

Barbara Fister of Inside Higher Ed blog Library Babel Fish, said the project is drawing “a terrific map for societies unsure of how to proceed” with open access.

“Partnering with Indiana University Libraries, the American Folklore Society is identifying where their literature is and how much of it is accessible, bringing attention to existing and potential open access journals, asking rights holders if material can be set free, digitizing gray literature so it will be preserved . . . these folks are sharp,” Fister said. “And they’re doing what scholarly societies should do: promoting the field and sharing its collective knowledge for the greater good.”

“As a librarian deeply involved in building digital collections of the future, I view Open Folklore as a stunning example of the value of, and opportunities presented by, new developments in scholarly communication,” said John Wilkin, executive director of HathiTrust Digital Library.

The award will be presented at the Association of Library Collections and Technical Services Awards Ceremony at the Annual Conference in June 2011.

(From an IU Bloomington press release.)

The View from Commerical Scholarly Publishing

Barbara Fister is a consistently wonderful voice on scholarly communications and libraries issues. I strongly recommend her discussion of the recently published interview with Derek Haank, former chairman of Elsevier Science and current head of Springer.  I read the interview via Richard Poynder’s blog Open and Shut (the full interview is linked to from that site) and learned of it from someone’s recent tweet. Without getting frustrated and spending a lot of extra words on it, I will just say that I think that the disbelief among librarians is justified and that this articulate voice from commercial scholarly publishing makes clear why I oppose commercial scholarly publishing as we have known it and we now still experience it.

#OpenFolklore Presentation from #AFS2010

At the 2010 AFS meetings I gave a presentation about the Open Folklore project. It was part of an experimental panel built around 7 minute talks keyed to 21 slides set to auto-advance every 20 seconds. This format is the one that will be introduced at-large at the 2011 meetings under the name Diamond presentations. (See the recent AFS announcement here.) In the video here, I re-recorded my talk as an audio track with the slide show.  Acoustically, my voice is hardly dynamic or interesting, but I have hope that the words and images help explain what Open Folklore is all about. Converting the slides to a short movie and uploading it to YouTube was good practical experience.

Thanks to everyone who attended the original session at AFS 2010. The panel of these short format presentations was really exciting.

Hinari in an Open Access World

Hinari and other schemes to provide free or reduced cost access to scholarly journals in resource poor and developing countries are a key means by which the publishers of toll access journals: (1) achieve an important good for humanity and/or (2) whitewash their business practices in the face of charges of exploitative conduct and in the context of ethics-based calls for open access. The withdrawal of a number of journals from the Hinari scheme has prompted a great deal of frustrated commentary from those who watch the scholarly publishing scene. Find an account of the controversy and a reflection on the future status of such endevors here: http://blogs.plos.org/speakingofmedicine/2011/01/14/what-next-for-hinari-in-an-open-access-world/.

For AAA participation in such initiatives, see: http://www.aaanet.org/issues/AAA-Gives-Back.cfm .

UPDATE: Springer explains that the program at issue in the recent debate is INASP program rather than HINARI. See: http://www.springer.com/about+springer/media/pressreleases?SGWID=0-11002-6-1067521-0.

Exciting New Presentation Formats for #AFS2011

Work on the 2011 American Folklore Society Meetings is now in high gear. The AFS meetings next fall will be held on my home campus at Indiana University Bloomington. As we get ready to host the meetings, I have been particularly involved in getting ready to introduce a new quick format presentation format and to re-boot the poster format along museum exhibition lines.  These new possibilities are described in the document circulated today by the Society. I hope that a large and diverse group of scholars takes an interest in attending the meetings and that these two new presentation formats appeal to scholars of all levels of seniority and to those working across the full breadth of folklore studies and its congeners. I want to personally express thanks to those senior scholars who have agreed to attend and host the poster exhibitions opening event and to my colleagues participating in the trial run for what are now (in AFS-speak) being called “Diamond” presentations at the 2010 meetings in Nashville. Here are the details from the home office:

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Dear Colleagues,

In the next few weeks we will post online the Invitation for Participation for the American Folklore Society’s 2011 annual meeting, set for October 12-15 at the Biddle Hotel and Conference Center in the Indiana Memorial Union complex on the campus of Indiana University in Bloomington. We encourage participation by folklorists throughout the world in our gathering.

This will be AFS’s first meeting on a university campus since our last meeting in Bloomington in 1968. Our hosts will be the Indiana University Department of Folklore and Ethnomusicology, and the theme of the meeting, on which presentations are encouraged but not required, is “Peace, War, Folklore.”

All proposals for the annual meeting program will be due by March 31. The entire process includes registration for the meeting, payment of the registration fee, and submission of your proposal.

We’re sending you this message to bring you up to date on two new developments within our annual meeting. The first has to do with an improvement in the proposal submission process, and the second involves the introduction of two new presentation formats.

But first, here is a link to a video documenting the Bloomington annual meeting committee’s musical “Invitation to Bloomington 2011” performed at our annual business meeting in Nashville last October.

Now to the news:

1. No More Long Abstracts Required from Individual Presenters in Pre-Organized Sessions

Beginning with the 2011 annual meeting, people who will be making presentations in pre-organized paper and Diamond sessions (for more information on Diamond sessions, see below) no longer have to submit long (500-word abstracts) for their presentation, just short (100-word) ones.

As in the past, individuals participating in organized paper and Diamond sessions will provide their short abstracts to their session chair in advance of the March 31 deadline. Session chairs will submit long and short abstracts for the session as a whole, and short abstracts for all presentations, as part of the session proposal.

2. Two New Presentation Formats at AFS 2011

While our meeting will feature the presentation of papers, discussion forums, media works, and professional development workshops as it has done for many years, in 2011 we are giving special emphasis to two new forms of presentation.

Re-Imagining the Research Poster in Folklore Studies: AFS Research Poster Exhibitions

The 2011 Annual Meeting Program Committee and the Society are making a special effort to capitalize on the research poster’s special virtues for folklorists. AFS Executive Board member and Indiana University Associate Professor of Folklore Jason Jackson will curate the 2011 Research Poster Exhibitions.

Posters, a vital means of scholarly communication in many fields, allow for the integration of graphic and textual information. They share the strengths characteristic of the informal settings in which folklorists often learn, teach, and study. Many folklorists are deeply involved in studying topics that lend themselves to the poster exhibition framework.

The current digital moment has created new opportunities to extend the power of this genre. Posters can stand alone as documents of scholarly research in folklore studies, and can also be augmented through informal oral presentation or the use of multimedia enhancements. They can also be repurposed after a conference into gallery and web-based exhibitions. Like conference papers, posters can also serve as a foundation for other genres of scholarly communication, including articles and book chapters. Posters themselves have begun to be peer-reviewed, revised, and published in scholarly journals.

This year, in lieu of poster panels organized by the membership, we are soliciting individual proposals for poster presentations on one of four broad topics: Peace, War, Folklore (the 2011 annual meeting theme), Folklore and Folklorists Making a Difference, Folklore Studies and the Digital Humanities, and Musical Cultures.

Poster presentations selected for each grouping will be brought together to comprise one of four formal exhibitions, which will be initially presented at an opening reception on Thursday morning. At that time, a distinguished scholar with special knowledge of the exhibition theme will host each exhibition, and will make public remarks about the exhibition’s posters.

Steve Zeitlin from City Lore will host Peace, War, Folklore

Marsha MacDowell from the Michigan State University Museum will host Folklore and Folklorists Making a Difference

Kimberly Christen from Washington State University will host Folklore Studies and the Digital Humanities

Jeff Todd Titon of Brown University will host Musical Cultures

The reception will also provide time for presenters to dialogue informally with each other, with interested conference attendees, with the hosts, and with other special guests. The posters will remain on exhibition throughout the conference.

Post-conference publication of selected posters is a possibility. We have invited a number of journal editors to attend the poster exhibition opening as special guests. Editors so far agreeing to attend include Regina Bendix (co-editor of Ethnologia Europaea), Kristina Downs (co-editor of Folklore Forum, which is interested in receiving submissions from participating poster exhibitors), Rob Howard (editor of Western Folklore), Jason Baird Jackson (editor of Museum Anthropology Review), and Tok Thompson (co-editor of Cultural Analysis).

AFS Diamond Presentations: An Invitation

On the basis of their increasing popularity among scholars and with the inspiration of a successful experiment undertaken at the 2010 Annual Meeting in Nashville, the American Folklore Society invites individual and organized session proposals in what we are calling the Diamond format, a formalized presentation genre structured by time and images:

Individual Diamond presentations are seven minutes long and are organized around 21 slides that are set to advance automatically every 20 seconds.

Audience response to such presentations have been very enthusiastic, and the format offers a number of specific advantages:

· As with the highly structured expressive genres that folklorists have often studied, this format calls upon presenters to be creative and selective in organizing their presentations.

· Focused presentations and images aid and engage audiences, even those unfamiliar with the topic or those whose first language differs from that of the presenter.

· This format is valuable not only for presenting image-based topics (such as studies of material culture or cultural performance), but also for all presenters concerned with visual communication and those who wish to experiment with visual techniques to enhance communication.

· This format is an easy starting point for the creation of audio slidecasts and small digital exhibitions—more durable modes of scholarly communication valuable to diverse online audiences—as well as in such settings as media kiosks in gallery exhibitions.

· The brevity of the format allows extra time for discussion.

· Brief but structured, the format supports multidimensional, open-ended presentations, making it very appropriate for the presentation of new projects or works-in-progress.

You may submit proposals for individual Diamond presentations, which the Program Committee will group into sessions, or organized Diamond sessions of six to ten presentations. All Diamond sessions will be constructed with an initial seven minutes allotted for preparation and introduction of the session as a whole, seven minutes for each Diamond presentation, and the balance of the available time dedicated to discussion of the full set of presentations. At the discretion of the session chair, the discussion time may be used for response by a formal discussant, open “full room” questions and answers, break-out time in which presenters can confer with interested audience members, or a combination of these discussion formats.

For those who would like to know more about the sources of inspiration for this format, there is much discussion around the web of a variety of similar (but not identical) formats, including the format known as Pecha-Kucha, developed in the design fields in Japan. Some of these are associated with formally trademarked brands of presentation events. Also available online are videos and slidecasts of presentations made in these related formats:

A YouTube version of Jason Jackson’s AFS 2010 Diamond presentation on the Open Folklore project: http://www.youtube.com/watch?v=zBUfYuVlBZE

A Pecha-Kucha presentation on YouTube: http://www.youtube.com/watch?v=9NZOt6BkhUg

“Hate Long, Rambling Speeches? Try Pecha-Kucha” by Lucy Craft [NPR on Pecha-Kucha]: http://www.npr.org/templates/story/story.php?storyId=130698873

A discussion of Pecha-Kucha in anthropology with links to examples and information: http://www.antropologi.info/blog/anthropology/2010/pecha-kucha

The Pecha-Kucha Organization: http://www.pecha-kucha.org/

On Lightning Talks: http://perl.plover.com/lightning-talks.html

On the Ignite Format and Events: http://ignite.oreilly.com/

Search also “Pecha Kucha” in YouTube, “Death by PowerPoint,” “Ignite,” “Lightning Talks,” and Wikipedia.

——

Please feel free to circulate this email to your non-AFS-member colleagues who may not have received it directly. We look forward to seeing you in Bloomington this October. Thank you for your support of our field and Society.

From So-called #aaafail Back to Publishing

In the Chronicle of Higher Education Hugh Gusterson has published what I think is a clear and useful account of the recent “science” in anthropology dust-up from his perspective as a member of the American Anthropological Association Executive Board.  Many excellent scholars have devoted themselves to trying to make sense of this recent event (generally known by the rather harsh twitter hashtag #aaafail). I appreciated those (especially anthropologists writing online) who addressed the issue thoughtfully.

In addition to being another contribution to the AAA science discussion, Gusterson’s piece is useful as a brief (ethnographic) description of the work of the board in a practical sense. Discussing a range of issues that were on the board’s plate at the time that the revised plan document was approved (issues that seemed more pressing and important that the fateful language changes), Gusterson says the following:

…most of our time in the executive-board meeting, was given over to issues that many of us saw as more urgent than the long-range-planning statement: a detailed review of the association’s budget in a time of national recession; a discussion of our publishing model in a context in which most of the association’s journals operate at a loss and their content is increasingly available free via the Web; an analysis of our publishing partnership with Wiley-Blackwell; a briefing on the introduction of a multimillion-dollar computer program to facilitate the association’s business; a conversation about recurrent issues in organizing the annual meeting and issues that had already arisen with regard to next year’s meeting, in Montreal; a discussion of the search for a new editor of our flagship journal, American Anthropologist; a performance evaluation of the association’s executive director and the staff he oversees; and a tricky discussion about whether, or how, to make available as an archival document a 10-year-old official report of the association’s that had since been repudiated by the membership through a ballot.

This is a complex statement in a complex narrative and I urge readers to consult the original for context. I am interested here only in the passage given in bold (emphasis added). It is unique as a rare glimpse into Executive Board discussions of the AAA publishing program.

It would be possible to discuss the “journals operate at a loss” part. Much discussion among concerned observers of the AAA publishing program has gone into the financial side of this statement and pondering what it would mean to say that the journals operate at a loss.  It is a complex matter and I am not going engage with it here. (Put simply, there are ways of talking about the program that frame it as profitable and there are ways of talking about the program that frame it as loosing money.)

The much less discussed matter is the “their content is increasingly available free via the Web” part. This issue is hardly the focus of Gusterson’s essay and thus I do not want to go overboard, but his account does suggest that this too was a focus of extensive board discussion. If so, that is interesting.  What might it mean to say that much AAA journal content is available free on the web?

The AAA and its publishing partner Wiley charge for access to AAA journal content. The AAA itself is not making it freely available on the web. Officially, the AAA has (as a result of the work of member-advocates during the AnthroSource planning period) a “green” author agreement that does allow authors to post manuscript pre-prints and post-prints online (in institutional repositories, most importantly). It does not (unless something has changed) allow the posting of final publisher’s versions (ex: the final typeset PDF). (See SHERPA/RoMEO for details on the status of the agreement and the meaning of “green,” “pre-print,” and “post-print.”)

More and more AAA journal content probably can be found on the web, but almost none of it has been placed there in accord with the terms of the (rather generous) AAA author agreement. A growing number of AAA authors (some knowingly, some unknowingly) have chosen to make available publishers versions of their articles (etc.) via personal websites or, in some cases, to slip such materials into formal repositories (contrary to repository policies on respecting copyright, in most cases). I have no way of knowing, but my perception is that only a tiny proportion of AAA authors are using tools such as the Science Commons Scholar’s Copyright Addendum Engine to produce and utilize addendum to the AAA author agreement to allow the kinds of uses of the publisher version that are easily found on the open web.

Possibility one is that the AAA Executive Board, as reflected in Gusterson’s comments, recognizes and is discussing the matter that I have just evoked. That would be interesting. If so, the matter is probably still under consideration (given that there have been no visible actions on this front). From a process point of view, the Executive Board could: (1) change the author agreement to bring it into line with the (not actually legal) practices of more and more AAA authors, (2) begin a process of (a) educating the membership about what they are allowed to circulate on the open web (pre- and post-prints) and not allowed to circulate (published versions) and (b) going after those who are in violation of their signed author agreements (cease and desist letters, take down notices, prosecution, etc.), or (3) recognize the growing gap between law and practice but stay silent about the matter and accept the costs (lawlessness, confusion, erosion of the adopted business model) in exchange for avoiding a new domain of conflict within the association.

A different thing might be happening too. The discussion that I am imagining might be underway might not actually be under way yet.  It might be that the board–like most of the membership–does not yet understand such distinctions as those between pre-prints, post-prints, and publishers versions and their association with terms of art such as green or yellow OA. In this scenario, the board may not realize the massive levels of non-compliance with the author agreement that are becoming characteristic. That there are AAA insiders who themselves appear to be out of compliance with their own author agreements suggests that this may be the case. If this is so, it is unfortunate (but fixable) because knowing the actual terms of art and the actual frameworks in which our publishing work happens is a prelude to effective discussion and policy making.

If Gusterson is right and AAA-owned articles are freely available on the web, then it has to do with the implementation or non-implementation of Executive Board policy. The conversation would be different if 100% of AAA authors were carefully and lawfully exercising their rights to post pre- or post-prints and the field was discovering that it could get along without the value added work associated with final journal production. This might lead to a situation like that found in parts of physics, where a real open access culture built around the circulation of pre-prints had arisen (see Arxiv). What we have now is a situation in which Gusterson is kind of right, but that this situation is a consequence of a mix of misunderstanding or disobedience in an environment in which too few rank and file anthropologists understand the framework in which they are operating.

Elsewhere in the scholarly communications system, copyright holders are increasingly using strong digital rights management technologies to stop the proliferation of in-copyright journal articles on the open web. As an advocate for open access scholarly communication, that is the last thing that I would wish to advocate for the AAA, but I also am a believer in having, knowing, and following sensible rules that we can all live with. If AAA authors are going continue doing what they are now doing (and it has numerous upsides and numerous downsides), I would like them to know that they are breaking their author agreements or, if the AAA Executive Board does not see what they are doing as breaking their author agreements, then the Board should clarify (in SHERPA/RoMEO and in public declarations) that the AAA policy explicitly allows the free circulation by authors of their publisher versions in not-for-profit ways on the open web.

If the Executive Board wishes to slow or even stop the circulation of AAA owned intellectual property outside the subscription and pay-per-view frameworks that it has put into place, it has the power to do so. If it instead wishes to foster such free circulation, there are strategies that can be adopted towards such ends as well, but they are out of alignment with our business model. Now we have, in some ways, the worst of all possible worlds with some people reading and (over) complying with their author agreements (and thus, in practice, not sharing online at all [even though they could via pre- and post-prints]), some people misunderstanding their author agreements and doing things that they shouldn’t, and others adopting an “I’ll do what I want until someone tells me to stop.” approach. Legal anthropologists have plenty of experience with such gray zone situations, but they also are aware of the costs and harm that they can produce.

If AAA copyrighted material are going to purposefully circulate on the open web outside the subscription and pay-per-view framework, the best way for this to happen is in an environment in which rights are clear and in a framework in which authors are encouraged to place their materials (pre-prints, post-prints, or published versions as allowed for) in robust, durable, and interoperable repositories (whether subject or institutional ones) rather than posting them to transitory departmental and personal websites. I understand the case against (and for) the proliferation of such green OA circulation. The state of actual practices, association business choices, and the (often misunderstood) existing author agreement point to an association-wide discussion that is still not happening in any widespread way. As Gusterson’s comment suggests, perhaps it has begun in the Executive Board.