Contemporary International Basketmaking by Mary Butcher
I mentioned in my previous post purchasing a number of basketry books in route to catching up on neglected topic of longstanding interest. Among those in my recent haul is Contemporary International Basketmaking by Mary Butcher, with contributions by Laurel Reuter and many artists contributing to the 1999-2000 UK exhibition for which this book was the catalog (London: Mary Holberton Publishers with the Crafts Council, 1999). I have not read it cover-to-cover yet, but I can note here that it is a fine publication–well produced and image/object rich. Along with a long essay on the past and present of international basketmaking and a collection of overviews of basketry techniques, the Artists’ Voices section is particularly compelling. It is useful as a research document because it presents individual artists’ answers to a range of fixed and compelling questions. While asked here of basketmakers active on the contemporary craft/studio craft/critical craft ends of the basketmaking spectrum, these questions (or a parallel set) could similarly be asked of basketmakers working less individualistically within particular vernacular/local/historical basketry “traditions.”
In the latest issue of Museum Anthropology Review, I published a review of Basketry: Making Human Nature. Readers of that review will notice that I gave special attention and praise to the long essay therein on East Anglia basketry written by Mary Butcher. It was wonderful and now I find that she is also the scholar-maker-curator behind the older catalogue being discussed here. It has been a pleasure to learn from, and engage her fine work as a basket scholar.