5th IU-OSU Folklore and Ethnomusicology Student Conference: (Re)Framing & (Un)Mapping
(Re)Framing & (Un)Mapping
The Ohio State University, Columbus, OH
February 17-18, 2012
Keynote address by
Dr. Michael Ann Williams
(Western Kentucky University)
We are happy to announce the 5th annual collaborative conference between The Ohio State University Folklore Student Association and the Folklore & Ethnomusicology Student Associations at Indiana University. This conference aims to create a space for graduate and undergraduate students to share their research in folklore, ethnomusicology, cultural studies, material culture, performance studies, and related disciplines connected to the study of academic and vernacular interpretation(s) of everyday life.
In “A Theory of Play and Fantasy” (1955), Gregory Bateson makes reference to an Andaman Island peace-making ceremony in which participants strike one another to enact, then dispel their anger. Investigating the fine line between play and aggression, Bateson writes, “(t)he discrimination between map and territory is always liable to break down, and the ritual blows of peace-making are always liable to be mistaken for the ‘real’ blows of combat.” Bateson’s example leads us to think about the “maps” that organize our interpretations of cultural “territories”: systems of meaning, practices of communication, and theoretical and ideological frames. Inspired by Bateson’s seminal text, this year’s conference seeks to explore the following questions and themes:
- What devices do folklorists and ethnomusicologists use to (re)frame and (un)map? How are these concepts used to decontextualize, entextualize, and recontextualize?
- How do ideological frames and maps translate to concrete realities, and vice versa?
- What effect do frames and maps have on folk groups, music and culture?
- What are the politics of mapping? How do previously unmappable things become mappable? How do things fall off the map? How do frames and maps work as boundaries that define what lies within and without, sameness and difference?
- How have concepts of performance, play, ritual and literal frames affected theory and practice in folklore and ethnomusicology?
- How have frames and maps guided thinking about space, place, land(scape), region and nation-state, and how have the latter complicated our understanding of the former?
- In what other ways does current research engage with (re)framing and (un)mapping?
*We also welcome submissions on other topics.
The conference will have four opportunities for participation: 20-minute paper presentations, a poster session, 10-minute experimental panels for works-in-progress, and a discussion forum for all attendees. We will be accepting 250-word abstracts for all presentation formats, apart from the forum.
Abstracts must be submitted by November 18, 2011. Please email submissions to firstname.lastname@example.org.
Register for this event for free at
http://osuiu2012conference.eventbrite.com/. For more information on the details of the conference visit http://cfs.osu.edu/fsa/studentconference in the coming months.
Center for Folklore Studies
Ohio State University
308 Dulles Hall
230 W. 17th Avenue
Columbus, OH 43210-1340
Visit the website at http://cfs.osu.edu/fsa/studentconference