The following essay is adapted from a talk given on March 6, 2009 as part of the symposium “The Form of Value in Globalized Traditions” organized by the Center for Folklore Studies at the Ohio State University, Columbus Ohio. At the time, I discussed my participation in this event here. This essay builds upon three reviews of open access issues in folkloristics that I authored for the weblog Open Access Anthropology in winter 2008 (Jackson 2008a, 2008b, 2008c). Inspired this week by the Hacking the Academy project and by Ted Striphas’ recent examination of scholarly communications issues within the field of cultural studies (Striphas 2010a, 2010b), I decided not to leave the essay sitting on the back-burner. In lieu of doing something more formal with it later, I am publishing it here in the hope that it will prove useful to a colleagues in folklore studies and neighboring fields.
Our Circulatory System (or Folklore Studies Publishing in the Era of Open Access, Corporate Enclosure and the Transformation of Scholarly Societies)
Jason Baird Jackson
Indiana University, Bloomington
The system of scholarly communication in which folkloristics is a small but important part is quickly changing in some dramatic ways. The phenomena falling under this rubric become more diverse and interconnected everyday and the good and bad news seems to come at an every quicker rate. To begin with a tangible example, a key publisher in our field and the home to three of its four main English-language introductory textbooks is Utah State University Press. When I prepared this essay in the spring of 2009, our field feared that the press would cease operations in the context of its university’s response to the current global economic crisis (Howard 2009; Jaschik 2009; Spooner 2009). On the brink of disappearance, Utah State University Press was instead made a unit of its university library (Utah State University 2009). It is not unique in undergoing such a dramatic transition. The present economic climate will almost certainly accelerate further various processes of change that were well already underway. Many of these shifts are positive, but whether for the good or for the bad, they are prompting some fundamental reconsiderations of: (1) of the genres of scholarly production, (2) of the paths down which we circulate our work, (3) of the publics whom we seek to address, (4) of the hierarchies of value that we used to judge and reward good work, (5) of the partners with whom we collaborate, (6) of the technologies that we harness, and (7) of the means by which we pay the bills.
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