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The Pioneer Age of Internet Video (2005-2009)

The transformation described by Adam Fish in this Savage Minds post can almost certainly be generalized even further to other mediated realms of communication. The Pioneer Age of Internet Video (2005-2009)

The Value of Libraries (from Inside Higher Ed)

On documenting the value of libraries for students and others in higher education.  The Value of Libraries – Inside Higher Ed.

Business Planning for Not-for-Profit Publishers

Consider “The Portfolio Strategy: Developing a Financially Sound Plan for Not-for-profit Publishers” by Joseph Esposito in The Scholarly Kitchen.

Open Folklore Project Subject of First Savage Minds Podcast

A brief note expressing deep thanks to Alex “Rex” Golub for inviting me to participate in his experiment developing a podcast series for the group (anthropology) blog Savage Minds. Our topic was the Open Folklore project. At 42 minutes long, I am doubtful that anyone will have the patience to actually listen to me going on and on, but it was a good experience for me. It helped me clarify my own thinking and gave me practice talking informally about the project in the run up to the upcoming American Folklore Society (AFS) meetings.

One thing that I should have said is that my remarks represent my own (not always fully formed) thoughts and do not necessarily represent the views of my colleagues working on the Open Folklore project or the official policies of the AFS or IU Bloomington Libraries.

The podcast is available in iTunes here or directly from the Savage Minds website here.

Thank you Savage Minds.

Ignored: past participle, past tense of ig·nore (Verb) Refuse to take notice of or acknowledge

In a recent comment on a Savage Minds post by Chris Kelty,  I asserted that there is a disconnect within the American Anthropological Association (AAA) in that the organization often (and I think sincerely) calls upon the membership at-large to collectively fact-find, discuss, weigh, evaluate, and solve big questions that are before the Association but then does little to actually attend to the efforts or inputs that follow from such promptings. I think that I am obligated to make clear why I think this.

Weblogs (blogs) provide a distinctive domain for collective discussion, one that some people appreciate, others do not appreciate, and others still do not know much about.  While I think that a noteworthy amount of useful conversation about AAA governance, policy formulation, and problem solving has unfolded on various weblogs without prompting any signs of engagement by AAA leaders, it is probably not fair to assume that this audience knows about and is comfortable operating within this venue. While it is strange, I am not going to hold up the ignoring of weblog discussions as evidence for my point.  (Such evidence is particularly easy to amass if anyone wanted to catalog it.)

Here are a three large scale interventions that have provoked remarkable silence. I offer them as illustration for my contention. None are blog based.

Kelty et al.’s “Anthropology of/in Circulation: The Future of Open Access and Scholarly Societies” appeared in the pages of one of the society’s most prestigious journals–Cultural Anthropology–and was intended to be a direct and useful contribution to a discussion of vital importance within the association. While it prompted significant discussion outside of the AAA, this article-length work precipitated, to my knowledge as a co-author, no rebuttal, no acknowledgment, no nothing in a AAA context. Being disagreed with completely and fully would have been a meaningful experience. Going unnoticed or being ignored is dumbfounding, especially when we describe our association’s journals as the key means by which we communicate with one another as professionals about those matters that are of shared professional interest.

As the person who was then editor of Museum Anthropology (another AAA journal), I played (with a sense of deep sadness) a key role in one of the most dramatic and durably transformative moments in the history of scientific/scholarly communication in anthropology.  It was time consuming and really terrible and terrifying but I tried to do it in a way that would be therapeutic, as well as fair to all involved. In publishing our field’s first Expression of Concern (and not a temporary one but a eternal one), I pleaded in the pages of the journal that the CSC (now ACC) would take this moment seriously and reflect on where we were and where we were headed. If the matter has been given even a moment of consideration, this would be a relief and would come as news to me.

In an email, I recently asked Kim Fortun (outgoing co-editor of Cultural Anthropology) if anyone had addressed her thoughtful memo (available here, see discussion here) to CFPEP. She reported that she had received no reply at all, but that the Section Assembly-based committee (or task force) of which she is now a part had been asked by CFPEP to create a new memo that integrated her memo with the six or so other memos compiled by other committee members on behalf of their constituencies. I wonder how this would even be done? If we imagine a brief memo from one member who is reporting that her/his section and colleague-friends are all really happy with the new revenues that our association publishing program is generating for sections, does that just negate Kim’s hard work bringing attention to voices that express concern rather than happiness? Why wouldn’t someone involved in vital decision making not want to read and at least acknowledge and think about the memo that Kim wrote? It sure looks and feels like Kim is being ignored. As co-editor of Cultural Anthropology, she (and her co-editor Mike Fortun) worked as hard as one can work to advance the cause of this AAA journal and the association as a whole. Along the way, she gained important insights that make her a better, and more useful, member of the association.  Is there any sense in alienating her and driving her out of involvement in the association by not acknowledging, let alone reading, a report that she clearly invested hours and hours in compiling for the sake of the association? Because she took her job seriously and polled a wide circle of colleagues, the matter is even more grave. This (risk of alienation) does not make sense, even if substantive analysis were to show that every concern raised by Kim and the many people that she consulted with were unequivocally unfounded.

This dynamic has already harmed the AAA. As a final piece of evidence, I propose the following test based on the specific case that I have followed most closely–the scholarly communications/publishing program. Find the early programmatic (and inspirational) documents about AnthroSource in Anthropology News and elsewhere.  Make a list of people involved in the early days, then search for them now.  How many are still involved in AAA scholarly communications policy?  Are they still talking publicly about AAA scholarly communications policy or have they moved on to other pastures?

I deeply appreciate all the good work that the AAA does to support me today and all that it has done for me in the past (meetings, news of the field, advocacy, employment listings, etc.). It is an important organization to which I have tried to contribute meaningfully. It is this durable sense of investment, appreciation, and concern that prompts my observation. When other commentators take an increasingly sarcastic, impatient, and confrontational tone in their one-sided dialogues on AAA policy, I understand this (and they may understand it differently) as a common human response to the perception of being ignored. The frustration of being un-acknowledged is amplified with each new call for feedback, input, and involvement.

Coda: While I purposefully did not discuss this dynamic as it relates to weblog discussion, I think that it is fair to say that when the AAA staff posts an item on its own blog for the overt purpose of promoting discussion, that item and the discussion that it generates should be entered into the official record of the society’s business and should attended to in the same way that a official letter, memo, or other communication ideally should. The headnote for William Davis’ August 31, 2010 post to the AAA weblog says: “If you have any comments, you are welcome to post them below.” What is the status of these comments?  Who might be expected to read them? Will they serve any purpose? It is a very rare blog that actually attracts comments from readers. This does not mean that it is unread or unappreciated. (I appreciate the AAA blog and am grateful for its introduction.) Blogs that do attract (sensible) comments are ones managed by people trying to cultivate discussion. This is very, very hard work and I do not expect anyone to invest that kind of labor in the AAA weblog, but when a call for comments actually generates them, there should be some signal as to what the nature of the transaction is. One minimal way in which this can be achieved is by someone (the chair of a relevant committee, for instance) joining the conversation at least to say “thanks all for your comments, I will make sure that they get shared with the other members of the [relevant] committee.” Scan the AAA blog looking for posts with more than one comment.  They are few and far between, thus the response to William Davis’ August 31, 2010 post is noteworthy. Did that exchange increase or decrease alienation among those who participated as commentators or readers? If, in such episodes, facilitating more discussion is going to generate more alienation, it is not a good path to take. It would be better to turn the comments function off (both literally and figuratively) and to ask for input less rather than more often.

What can the Open Folklore project help me do now? [3] (The Community Arts Network Edition)

This post is the third in a series [1] [2] discussing what the efforts bundled as the Open Folklore project can do for the community now, before the portal site that will live at http://www.openfolklore.org/ is finalized.

A part of the Open Folklore effort that has not been discussed here previously concerns the plan to durably archive content-rich websites of relevance to scholars and practitioners in the field of folklore studies. Recently a need arose to put these plans to a quick test. The Community Arts Network (CAN), a not-for-profit service organization that had built up a large and widely used website found itself needing to cease operation of its elaborate site. On August 31, Debora Kodish of the Philadelphia Folklore Project contacted the Open Folklore team at Indiana about the possibility that the project might be able to assist in the preservation of the CAN assets.  Discussions and investigations quickly followed and the IU Libraries decided to pursue archiving the site. This work was complete before the time of the scheduled shut down on Labor Day.  It all worked and now we can see what a website archived in the manner that we anticipate using looks and feels like.  The words of appreciation that have been offered from the community arts and public folklore communities have been most appreciated and are a major source of encouragement for what we are trying to get going with Open Folklore.

To help explicate a bit further, this is a re-posting of an announcement being circulated by the Community Arts Network (CAN). It was crafted with input from the librarians at Indiana who are central to the current early-phase work on the Open Folklore project. Thanks go to everyone who has been involved in these efforts.  (See the CAN Facebook page for additional discussion.)

The Community Arts Network (CAN), Indiana University Bloomington Libraries, and the American Folklore Society are pleased to announce that the CAN Web site has been archived as part of the Open Folklore project (http://www.openfolklore.org/). Open Folklore is intended to be an online portal to open-access digital folklore content and plans to launch a prototype in October at the American Folklore Society meeting in Nashville, Tenn.

After CAN announced it would be forced to immediately shut down its Web site due to lack of funds, the IU Bloomington Libraries offered to capture the CAN Web site using Archive-It, a subscription service from the Internet Archive that allows institutions to build and preserve collections of born-digital content. The Internet Archive is a 501(c)(3) non-profit that was founded in 1996 to build an “Internet library” with the purpose of offering permanent access for researchers, historians, and scholars to collections that exist in digital format. Because CAN is a content-rich Web site that is of great interest to folklorists, the IU Bloomington Libraries made use of their subscription to Archive-It to preserve the site without charge.

The archived CAN is static, but is fully text searchable, though some external links and some internal scripted functions may no longer work. It is, however, a unique and permanent record of the site as it existed at the time. Users may visit the archived site at http://wayback.archive-it.org/2077/20100906194747/http://www.communityarts.net/. The full text of the site may be searched at the Archive-It home site, http://www.archiveit.org/.

Art in the Public Interest, CAN’s non-profit, will continue to seek funding to develop the CAN materials into a sophisticated archive library.

Debora Kodish, founder of the Philadelphia Folklore Project first suggested that Open Folklore might have a role to play in preserving CAN, and this suggestion was enthusiastically and swiftly adopted. IU Bloomington Libraries Dean Brenda Johnson described this sequence of events as an excellent proof of concept for Open Folklore and for the value of collaboration between a research library and the scholarly community it serves. “This is a sterling example of why digital preservation efforts are so important. Without the active collaboration of the folklore community, and without IUB Libraries participation in Archive-It, a unique and valuable online resource would have vanished.”

I invite you to check out the archived CAN site.

Athabasca University Press!

Check out Athabasca University Press.

In keeping with Athabasca University’s mission of overcoming barriers to education, AU Press is committed to the open access dissemination of scholarship. “Open-access literature is digital, online, free of charge, and free of most copyright and licensing restrictions” (Suber, 2007). While AU Press publications are freely readable on our website, print versions are also available for sale.

From an academic author’s point of view, open access publication is compatible with traditional scholarly publication. It includes peer review, print, preservation, impact, and career advancement, and does not preclude material gain. AU Press books will be sold to libraries through electronic aggregators, who do pay royalties. Putting a scholar’s book on the web to be read for free increases both sales and citation impact. As well, many AU Press books are accompanied on our website by “podcast” interviews with their authors or editors—an innovative promotional tool.

Editors at AU Press work with emerging writers and researchers to promote success in scholarly publishing for traditionally underrepresented populations.

Scholars are invited to submit prospectuses to AU Press, c/o Walter Hildebrandt, Director. *

Thanks to everyone behind Athabasca University Press not only for publishing a pile of OA monographs, but for showing that this can be done and for helping the Public Knowledge Project develop Open Monograph Press, a tool that will help others follow this path.

Iñupiat Musical Heritage Repatriation Project

The first time that I taught the introductory folklore graduate course it was in the Department of Anthropology at the University of Oklahoma. Among the many nice and smart people in that class was Chie Sakakibara, then a doctoral student in geography preparing for dissertation research on the intersections of expressive culture and human-environment relations in the context of climate change. Chie has gone on the earn her doctorate and she is now an Assistant Professor of Geography at Appalachian State University. In addition to highlighting her work in general, I want to especially mention her work (with Aaron Fox and others) on a significant “musical heritage repatriation project” reconnecting recordings made by ethnomusicologist Laura Boulton (a big presence on my own campus as well as at Columbia University) with the Iñupiat community of Barrow, Alaska.  Learn about this important effort here.

Chie also discussed her work on NPRs Studio 360.  See: http://www.studio360.org/episodes/2009/10/09

Congratulations to Chie on her new post at Appalachian State and thank you for your collaborative work with the people of Barrow and our colleagues at Columbia.

Open Folklore, MAR Roundup

While the project partners (the American Folklore Society and the Indiana University Bloomington Libraries) continue building the inaugural Open Folklore site, discussion of the project has continued in several places. Here is a roundup of links. I especially wish to highlight the very detailed post published recently at Archivology.

Archivology (9-7-2010) Open Folklore, Open Access, and the Future of Scholarly Publishing

Library Babel Fish (8-23-2010) Open to Change: How Open Access Can Work

Archivology (8-9-2010) 5 suggestions for the Open Folklore project

Indiana Daily Student (8-4-2010) Open Folklore to uncover ‘gray literature’

Savage Minds (8-2-2010) Open Folklore

Museum Anthropology Review is published by the Indiana University Bloomington Libraries as part the IUScholarWorks program. I edit it in the Department of Folklore and Ethnomusicology also at Indiana University. It thus lives within the ecology of the current core of Open Folklore and will get indexed, linked to, etc. along with other Open Folklore content.  (Lots of folklorists contribute to the journal too, by the way.) The recent round of discussion about scholarly communication in anthropology has led to some new discussion of Museum Anthropology Review. In addition to my own posts (below), I can note:

John Hawks Weblog (9-5-2010 ) Why don’t universities cut out the middleman?

Savage Minds (9-2-2010) Gourmet vs. All Things Considered: The anthropological edition

See also Archivology (9-7-2010) and Library Babel Fish (8-23-2010) given above.

Thanks to everyone who has been following, and offering encouragement to, these experiments.

Library Babel Fish on Scholarly Society Pubishing

Today’s Library Babel Fish column returns to the topic of the month: scholarly society publishing in general, with special attention to the discussion in anthropology that has been prompted by Bill Davis’ recent commentary on behalf of the American Anthropological Association. She makes a nice parallel to another area where the common good is endangered by legacy policy–hunger–and even mentions anthropologist Paul Farmer along the way. Check it out in connection with discussions at Savage Minds and John Hawks Weblog. Thanks Library Babel Fish.