Mar 16
[Basket Market,] Micheng Town, Midu County, Dali Bai Autonomous Prefecture, Yunnan, China.
Visited June 1, 2023.
This is the third post in the series: Villages and Towns of the Southeast Asian Massif.
Approximately: 25° 20′ 37.788″ N, 100° 28′ 39.612″ E
Basha [Miao] Village, Bingmei Town, Congjiang County, Qiandongnan Miao and Dong Autonomous Prefecture, Guizhou, China.
Visited December 9, 2014.
This is the second post in the series: Villages and Towns of the Southeast Asian Massif.
Approximately: 25° 43′ 12.216″ E, 108° 51′ 58.8594″N.
Wengji [Bulang Ancient] Village, Jingmai Administrative Village, Huimin Hani Ethnic Town, Lancang Lahu Autonomous County, Pu’er City, Yunnan, China.
Visited December 27, 2023.
This is the first post in the series: Villages and Towns of the Southeast Asian Massif.
Approximately: 22° 10′ 25.65″ N, 99° 59′ 55.908″ E
Check out this call for papers for an promising meeting to be held at the Estonian National Museum in Tartu.
Conference call for papers
Sustainability in Practice: DIY Repair, Reuse and Innovation
30 October – 2 November 2024
Estonian National Museum, Tartu, Estonia
This conference addresses ecological sustainability through do it yourself (DIY) practices, and through consumer behaviour. The focus on DIY repair, reuse and vernacular innovation seeks to examine sustainability in the context of everyday life and domestic and community settings. By bringing together ethnological, anthropological, sociological and craft studies perspectives, the conference aims to show and discuss contemporary, traditional and vernacular sustainable practices.
Repair, reuse and repurpose of diverse commodities and materials, and vernacular innovation, are today increasingly perceived as part of sustainable consumption culture. However, the role and meaning of these practices have changed over time, depending on social, economic and political environments. Facing the global climate crisis, we are looking for lessons from the past and present for more sustainable and resilient ways of life.
We invite presentations, workshops and documentaries that explore various forms of DIY practice, solution, innovation and material culture related to sustainability in a variety of settings and regions. Apart from academics, experts from memory institutions and craft scholars, this conference also invites activists, craftsmen and designers to share their experience and knowledge.
See the conference call for papers.
The conference is being organised by the Estonian National Museum in collaboration with the Washing Machine Made of Beetroot joint exhibition project, curated by the Estonian Road Museum, the Estonian Agricultural Museum, and the Tartu City Museum. The conference and the exhibition are part of and supported by the European Capital of Culture Tartu 2024 programme.
Conference webpage and info: http://enmconferences.ee/sustainability-2024
Pictured here (Figure 1) is a seed pot-style (i.e. globe shaped with a small opening) basket by Joan Shoemaker (b. 1937) (Cherokee Nation) (then) of Locust Grove, Oklahoma. It is of honeysuckle and has dyed elements in three colors produced with walnut hulls, polk berries, and blood root (natural) dyes. The basket comes with a signed artist card attached. It shows the date 1999, which is soon before I received it as a gift (in 2000). (The card also notes the material and dyes.)
As seen from the shot of the bottom (Figure 2), the upper section has suffered light damage over the past two decades.
As noted by Karen Cody Cooper in Oklahoma Cherokee Baskets (2016, 99), two Joan Shoemaker baskets are in the collections of the Sam Noble Oklahoma Museum of Natural History. These are: E/2003/1/001 (a round, flat tray of honeysuckle) and E/2000/1/002 (a round open-mouth basket of honeysuckle).
While the Gilcrease Museum holds paintings by Mrs. Shoemaker’s husband Ben Adair Shoemaker, it does (to my knowledge) not yet curate any of her baskets (Jackson 2000). There are not baskets by Mrs. Shoemaker in the collections of the Department of Anthropology, National Museum of Natural History, Smithsonian Institution. There were no baskets by her in the collections of the former Mathers Museum of World Cultures, at Indiana University*
At the time of this writing, two Joan Shoemaker basketry trays could be seen online at this commercial site: https://www.worthpoint.com/worthopedia/set-cherokee-indian-baskets-joan-1848909520
Note
*I served as a curator at the Gilcrease Museum between 1995 and 2000. This basket was a gift on the occasion of my departure to the Sam Noble Oklahoma Museum of Natural History, where I worked between 2000 and 2004. I have been a research associate of the Sam Noble Museum since 2004. From 2014 to the present, I have also served as a research associate of the National Museum of Natural History. Between 2013 and 2019, I served as the Director of the Mathers Museum of World Cultures.
References Cited
Cooper, Karen Cody. 2016. Oklahoma Cherokee Baskets. Charleston, SC: History Press, 2016.
Jackson, Jason Baird. 2000. “Southeastern Indian Basketry in the Gilcrease Museum Collection.” American Indian Art Magazine. 25 (4):46-55.
This is a first in a series of posts writing up baskets in my family’s modest (mostly-gifts) collection.
More good news in terms of publication work. I am pleased to share that my article “Kultuuriline omastamine kultuurimuutusena” is now published in Estonian in the wonderful journal Studia Vernacula (see volume 14). This is a translation (minus the case studies) of my earlier paper “On Cultural Appropriation,” which appeared in English in the Journal of Folklore Research (volume 51, number 1 in 2021). Special thanks go to Elo-Hanna Seljamma for work translating the paper, to Kristi Jõeste for inviting me to contribute the paper, and to Madis Arukask for discussing my contribution in an editorial appearing in the new issue. Studia Vernacula is a wonderful open access journal beautifully produced in digital and print form. Even if you do not read Estonian, I urge you check it out with the help of Google Translate or a similar service. So much wonderful material culture studies work appears therein year after year.
I am very happy to note a new co-authored article titled “A Survey of Contemporary Bai Craft Practices in the Dali Bai Autonomous Prefecture, Yunnan, China.” It was jointly written with Wuerxiya (first author), C. Kurt Dewhurst (third author) and Cuixia Zhang (fourth author) and it appears in Museum Anthropology Review volume 16, numbers 1-2. This is the special double issue published in honor of Daniel C. Swan, as noted in an earlier post on Shreds and Patches. The article is based on work undertaken by a much larger bi-national team within the “Collaborative Work in Museum Folklore and Heritage Studies” sub-project of the broader “China-US Folklore and Intangible Cultural Heritage Project,” a collaboration (2007-present) of the American Folklore Society and the China Folklore Society. In particular, it describes work undertaken through the auspices of, and in partnership with, The Institute of National Culture Research at Dali University. Special thanks go to the Institute and its leadership.
Find the article online at Museum Anthropology Review: https://scholarworks.iu.edu/journals/index.php/mar/article/view/34101
I am very happy to note the publication of “Basketry among Two Peoples of Northern Guangxi, China” in the latest double issue of Asian Ethnology. This article is one that I co-wrote with my friends and collaborators Lijun Zhang (first author), C. Kurt Dewhurst (third author), and Jon Kay (fourth author) and it is based on work undertaken by a much larger bi-national team within the “Collaborative Work in Museum Folklore and Heritage Studies” sub-project of the broader “China-US Folklore and Intangible Cultural Heritage Project,” a collaboration (2007-present) of the American Folklore Society and the China Folklore Society.
I am a huge fan of Asian Ethnology, a wonderful open access journal now in its 81st year. Check out the huge volume that our paper is a part of, Find Asian Ethnology online here: https://asianethnology.org/ and also in JSTOR
Find our article here: https://asianethnology.org/articles/2386
Find Jon Kay’s companion article here: https://asianethnology.org/articles/2387
His project is distinct from ours, but find William Nitzky’s article (also) on the Baiku Yao people today here: https://asianethnology.org/articles/2384
Social media is changing again and it seems like a good time to give Shreds and Patches more love and attention.
My collaborator and special issue co-editor Michael Paul Jordan and I are very pleased to announce the publication of a new double-issue of Museum Anthropology Review titled Studies in Museum Ethnography in Honor of Daniel C. Swan
Find the new collection in honor of Dan in Museum Anthropology Review online here: https://scholarworks.iu.edu/journals/index.php/mar/issue/view/2153 Thanks to all of the authors, production staff, publishers, peer-reviewers, and helpers who made this collection possible.
The annual business meeting of the Council for Museum Anthropology (CMA) was held today and one of its key moments was the bestowal of the annual CMA Book Award. I am very happy to note that Wedding Clothes and the Osage Community: A Giving Heritage by Daniel Swan and Jim Cooley, a title in the Material Vernaculars series that I edit for the Indiana University Press, was recognized with the award. The following text is taken from a CMA Facebook post. It announces the award and also discusses an honorable mention title, Solen Roth’s book Incorporating Culture: How Indigenous People are Reshaping the Northwest Coast Art Industry.
It is our pleasure to award the 2020 CMA book award to Daniel Swan and Jim Cooley for their 2019 book, “Wedding Clothes and the Osage Community” (Indiana University Press), and to give an honorable mention to Solen Roth for her 2018 book “Incorporating Culture” (UBC Press). Both books exemplify the range of work that the Council of Museum Anthropology promotes.
Swan, D. and Cooley, J. 2019. “Wedding Clothes and the Osage Community: A Giving Heritage.” Bloomington: Indiana University Press.
It is with great pleasure that we award the CMA book award to Daniel Swan and Jim Cooley. “Wedding Clothes and the Osage Community” is an exemplar of what museum anthropology can and should be. The book is the result of long-term collaborative work with the Osage Nation, and uses archival, ethnographic and ethnohistorical methods to reanimate museum collections of Osage heritage. Doing so, the book is a highly accessible multi-media examination of change and continuity in Osage wedding traditions and clothing. Through its attention to material culture the book demonstrates not only the rich vibrancy of the Osage wedding traditions but also demonstrates the sort of work that can only be done through what Ray Silverman termed “slow museology”, which is work built on mutual respect, collaboration, and trust. This is a book that transcends its subject matter and helps us all see the possibilities of museum anthropology.
Roth, S. 2018. “Incorporating Culture: How Indigenous People are Reshaping the Northwest Coast Art Industry.” Vancouver: UBC Press.
We are delighted to award honorable mention for the CMA book award to Solen Roth. “Incorporating Culture” is a unique ethnography of the “artware” industry. Solen coins the term artware to describe commodities decorated with Pacific Northwest coast images that circulate inside and outside of Indigenous and non-Indigenous communities. The book examines the array of values these objects accumulate as they transition between these sites. It is a sophisticated historical and multi-sited ethnographic look at the intercultural phenomena of the artware industry, which is an example of what she terms ‘culturally modified capitalism.’ The book helps shed light on a compelling and important feature and dynamic of the intercultural object-world and economy in the North West Coast.
In addition to the CMA Book Award, I am also happy to note that Wedding Clothes and the Osage Community: A Giving Heritage was recently recognized during the annual meeting of the American Folklore Society’s Folklore and History section, which bestows the annual Wayland D. Hand Prize given for the best book combining historical and folkloristic methods and materials. The biennial prize honors the eminent folklorist Wayland D. Hand (1907-1986). Wedding Clothes was given the honorable mention in the 2020 Hand Prize competition. The prize itself went to Forgetful Remembrance: Social Forgetting and Vernacular Historiography of a Rebellion in Ulster (Oxford University Press, 2018) by Guy Beiner. As reprinted on a Facebook post, the Hand Prize committee said the following about Wedding Clothes.
The beautifully illustrated volume explores through history and folklife research the ways that gift exchange, motivated by the values of generosity and hospitality serves as a critical component in the preservation and perpetuation of Osage society.
Congratulations to all of the Osage Nation citizens who worked on the larger Osage Weddings Project (which included a major traveling exhibition) and to Dan and Jim as authors. Special thanks go to the Indiana University Press for investing tremendous care in the making of an extraordinary book.
Shreds and Patches 