Posts from the ‘Ethnography’ Category
I am happy to note here that the Executive Board of the American Folklore Society has endorsed a proposal put forward by the Folklore and Museum Policy and Practice Working Group to establish a Folklore and Museums section within the society. The section came into existence as of the Executive Board’s November 2014 meeting in Santa Fe. I am very pleased to serve as the new section’s first convener and to invite everyone with an interest in the intersection of museum practice and folklore (/folklife/ethnology) to join the new section.
As noted in the call for members on the AFS website:
the Folklore and Museums Section exists to foster communication and cooperation among museum-oriented folklorists, to advance the contribution of folklore studies scholarship and practice in museum settings, and to articulate museum-oriented folklorists with other colleagues, institutions, and organizations in the museum sector. The section aims, whenever possible, to cooperate with other sections of the American Folklore Society and with peer-organizations in the field.
The public web home for the new section can be found online here: http://www.afsnet.org/?page=MuseumSection and the member’s group space is accessible to members who are logged into the AFS website.
While I am very eager for all interested colleagues to join AFS, I want to note that the AFS has a free “Section Only” membership category by which non-AFS members can sign-up with sections such as the new Folklore and Museums section. This might be of particular value to non-folklorists who wish to keep up with the section’s work. Information on the Sections Only “membership” is available on the Membership Categories page of the AFS website. There is no cost to join the Folklore and Museums section.
The Santa Fe meetings were a great gathering for museum-minded folklorists. I am optimistic that the new section can help make the 2015 meetings even richer for our corner of the field. Thanks to all who have contributed to the momentum behind the new section and to the growth of folklore and museums work.
CALL FOR PARTICIPATION
New members are invited to join the Digital Practices in History and Ethnography Interest Group (DPHE-IG) in the Research Data Alliance (RDA), an international initiative to facilitate the development of effective data practices, standards, and infrastructure in particular research areas, and across research areas–aiming to enhance capacity to archive, preserve, analyze, and share data, and for collaboration both within and across research communities.
RDA’s DPHE-IG works to advance data standards, practices and infrastructure for historical and ethnographic research, contributing to broader efforts in the digital humanities and social sciences. Bi-weekly calls move the work of the group forward. Many meetings are “project shares” during which someone leading a digital project describes their efforts and challenges. Some calls are with other RDA groups (such as the Provenance Interest Group), aiming to draw their expertise into our work in history and ethnography.
Our call-in meetings are on Tuesdays, 1:00 p.m. EST; see our schedule through May 2015, and let us know if you would like to share a project. Also see our annual report of activities, including a list of project shares thus far.
RDA holds two plenary meetings each year at which interests group can meet, and interact with other interest groups. The next plenary is in San Diego, California and will be held on March 9-11, 2015.
Please join the group (just below the calendar here) [its free] and pass on this information to others who may be interested. We would especially appreciate help reaching people outside Europe and North America.
Jason Baird Jackson (Indiana University), Mike Fortun (Rensselaer Polytechnic Institute), Kim Fortun (Rensselaer Polytechnic Institute), co-chairs
(Contact me if I can answer any questions that you might have about DPHE–Jason)
I really enjoyed listening to the new Anthropod podcast on open access in anthropology. Focusing on the move of Cultural Anthropology to an open access model, hosts Bascom Guffin and Jonah S Rubin have done a great job with the podcast. I urge everyone to check out their well produced conversations with Sean Dowdy (of Hau), Alex Golub (of Savage Minds and many OA discussions), Brad Weiss (past SCA President), and Timothy Elfenbein (Cultural Anthropology Managing Editor).
I would like to share news of the formation of an interest group in an area of interest that I know I share with many Shreds and Patches readers. The group is known as the “Digital Practices in History and Ethnography” Interest Group and it is a constituent interest group within the Research Data Alliance (RDA), an international initiative to facilitate the development of effective data practices, standards and infrastructure in particular research areas, and across research areas. The RDA aims to enhance capacity to archive, preserve, analyze and share data, and to foster collaboration across research communities. My DPHE colleagues and I invite you to join this interest group, and to participate in its online discussions. Biannual RDA meetings are an opportunity to meet face-to-face with others in our area, and with researchers in other areas.
The RDA website describes RDA’s full array of interest and working groups, and the mission, structure and process of the RDA. You can join the DPHE interest group at no cost by following these steps:
1. Navigate to the RDA website. https://rd-alliance.org/
2. Register in the top right hand corner of the site.
3. Once you’ve finished your registration and are logged in, navigate here: https://www.rd-alliance.org/internal-groups/digital-practices-history-and-ethnography-ig.html
4. In the middle of the page, click Request Group Membership
5. Answer the form question with a yes, and then you should be subscribed.
The second RDA Plenary was held in Washington D.C. September 16-18, 2013. Our group discussed its mission and plan at a session on Wednesday afternoon, and circulated a list of discussion questions for on-going consideration by the group.
We’ve now started a discussion thread about metadata in historical and ethnographic research.
We’ve also scheduled held several project review sessions and plan to continue holding these events online in coming months. Early sessions in our series have looked at the
Perseids project (A Collaborative Editing Platform for Source Documents in Classics) http://sites.tufts.edu/perseids/
Nunaliit Atlas Framework http://nunaliit.org/
As detailed here, Garett Montanez and I will present tomorrow (2/13) at a project share (1 pm, eastern time) event focused on the Open Folklore project. The presentation will be online and is free and open to anyone interested.
The DPHE group will be pursuing additional project-focused presentations, as well as open discussions of common interests and concerns.
My fellow DPHE IG co-chairs Mike and Kim Fortun (RPI) and I look forward to your participation. Please let us know if you have
IU President McRobbie’s recent trip to South Africa, Kenya, and Ghana has proven incredibly timely for projects coming to fruition at the Mathers Museum of World Cultures. The IU delegation began its trip with extensive consultations in South Africa and this linked up nicely with the Margaret Bourke-White exhibition that we opened today. In one of his many compelling stories from the trip, Ryan Piurek recounted the deep history of positive university involvement in South African partnerships and projects, concluding his story with reflections on the Bourke-White exhibition as a current collaboration, one that will see the exhibition travel to two South African venues.
The President’s trip is concluding with a visit to another African nation where IU has deep ties and a long history of collaboration–Ghana. At MMWC, we are very excited that the museum is also connecting with audiences, communities, collaborators, and research opportunities in Ghana. While the museum’s ties to Ghana and scholars of the nation are multiple, the story right now centers on the work of IU art history graduate student, and MMWC collaborator, Brittany Sheldon. With MMWC help, Brittany has developed an exhibition based on her research on traditional decoratively painted houses. The exhibition State of an Art: Contemporary Ghanaian Bambɔlse will be presented this fall at the Ghana Museums and Monuments Board. The exhibition features Sheldon’s photographs documenting the red, black, and white designs (bambɔlse) that adorn the earthen walls of houses in the Upper East Region in Ghana.
Congratulations to Brittany on her exhibition and good luck to her in her continued studies with Ghanaian artists and tradition bearers.
The latest episode of WFIU’s program Artworks does a great job of introducing the work of two of my IU Department of Folklore and Ethnomusicology colleagues. Kate Horigan discusses so-called urban legends, the subject of one of her current courses. On the occasion of Traditional Arts Indiana being recognized with a Governor’s Arts Award, Jon Kay describes its many projects around the state of Indiana. No point of my writing about it, when the great show is there ready for you to listen to. Find it here:
A quick note to report that Yuchi Folklore: Cultural Expression in Southeastern Native American Community is now in print and available from the University of Oklahoma Press (its publisher), Amazon.com, and other booksellers. Any royalties that the book might generate will be forwarded directly from the publisher to the Euchee (Yuchi) Tribe of Indians for its use in its cultural and historical preservation efforts. (So anyone who purchases the book is helping a not-for-profit university press with special interest in the peoples and histories of Oklahoma, and (if the book can first cover its production costs), also contributing in a small way to the cultural work of the Euchee people.)
Two of the book’s chapters were co-authored with Mary S. Linn, whom I want to thank for joining me in the effort. We both have benefited tremendously from the kindness and support of numerous Euchee (Yuchi) individuals and their help is hopefully meaningfully represented in the volume. None of our Euchee friends are responsible, of course, for the book’s shortcomings.
Chairman Andrew Skeeter (Euchee [Yuchi] Tribe of Indians) and Daniel Swan (Sam Noble Oklahoma Museum of Natural History) provided generous blurbs appearing on the book’s back cover and two smart reviewers for the press provided great feedback which, I hope, was meaningfully put to use in my revision of the book. Thanks to them all as well.
The University of Oklahoma Press was a joy to work with and I very much appreciate its great efforts on my behalf.
Rather than summarize the book here, feel encouraged to check out its page at the University of Oklahoma Press.
Having been asked to do so, I am happy to share news that the Smithsonian Institution is seeking applications for the position of Director of the Center for Folklife and Cultural Heritage. This is an important and exciting post. See the details below:
The Center for Folklife and Cultural Heritage, Smithsonian Institution, is accepting applications and nominations for a Director. The Center for Folklife and Cultural Heritage is responsible for planning, developing, and managing programs which have as their major objectives the research, documentation, presentation and conservation of living traditional and grassroots folk cultures of the United States and of other countries. The director is responsible for the administrative direction and management of all Center program activities including the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, Ralph Rinzler Folklife Archives and Collections, exhibitions, symposia, scholarly research, cultural heritage policy, educational projects and all media, as well as the participation of other Smithsonian museums and programs in national celebration events and National Mall events. The Director represents, at national and international levels, Smithsonian concerns relating to the understanding of the cultural representation of living heritage, as well as public sector folklore, and policies related to them. The Director will have a proven track record of leadership, management and fundraising skills to run a unique multi-disciplinary cultural organization. The successful applicant must have a degree in a relevant field, management level experience in public programming, and have earned a presence in the scholarly and/or cultural community. The Smithsonian offers a competitive salary commensurate with experience and a comprehensive benefit plan including a lucrative, fully vested retirement program with TIAA- CREF. For detailed information on the position, qualifications and application instructions, go to http://www.sihr.si.edu/jobs.cfm and scroll to position announcement EX-13-01. We are only accepting online applications for this position. For questions or additional information, contact Tom Lawrence, 202-633-6319 or firstname.lastname@example.org. The Smithsonian Institution is an Equal Opportunity Employer.