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Posts from the ‘Grants and Fellowships’ Category

Mary Douglas Awards Available for Masters Work in Material, Visual, and Digital Culture Studies at UCL

Good news from the museums/material culture community at University College London:

The Anthropology department at UCL (University College London) is pleased to announce the Mary Douglas Awards, to students applying for Master’s programmes for entry in September 2013.  These fee waivers, worth between £2000 -£ 4000 pounds will be awarded based on the merit of individual applications.

There are three exciting and complementary Masters programmes for students interested in objects, art, museums, digital technologies and media. Please explore the links below for more information and details regarding how to apply:

At UCL Anthropology, we are proud of our critical approach to social life, our high academic standards and expectations, and our strong sense of community.  Study at UCL is demanding but rewarding.
Please circulate this to any of your students who are considering graduate studies with a focus on material, visual and digital culture.

Time to Apply to Participate in the Summer Institute in Museum Anthropology

Happy New Year! With the new year comes the season in which thoughts turn towards summer plans. A great summer program for graduate students interested in material culture studies is the Summer Institute in Museum Anthropology (SIMA). Held at the Smithsonian Institution’s National Museum of Natural History and funded by the [U.S.] National Science Foundation, this is a month-long intensive course focused on promoting “broader and more effective use of museum collections in anthropological research by providing a supplement to university training.”

“Working intensively each summer with 12-14 students interested in museum research, the institute: [1] introduces students to the scope of collections and their potential as data, [2] provides training in appropriate methods to collect and analyze museum data, [3] makes participants aware of a range of theoretical issues relating to collections, [and 4] positions students to apply their knowledge within their home university.”

Graduate students in anthropology and neighboring fields (including folklore studies) can find full information and application instructions on the SIMA website. As noted there: “The program covers students’ room, board, and tuition. Housing is provided at a local university and a small stipend will be provided for food and other local expenses. Participants are individually responsible for the cost of travel to and from Washington, DC. This is an intensive residential program and the participants are expected to devote full time to the training. Preparatory readings are assigned to ensure that students arrive with comparable background knowledge.”

This is a great program and a great opportunity. Please consider applying.

@Mukurtu Project Wins Major IMLS Grant

Congratulations to Kim Christen and everyone working on the Mukurtu project on news that the effort has received a major grant from the (U.S.) Institute for Museum and Library Services (announced here). This is a major development for a major project.

As noted on the Mukurtu project site, Mukurtu is “A free and open source community content management system that provides international standards-based tools adaptable to the local cultural protocols and intellectual property systems of Indigenous communities, libraries, archives, and museums.” It is “a flexible archival tool that allows users to protect, preserve and share digital cultural heritage through Mukurtu Core steps and unique Traditional Knowledge licenses.”

Historian Tiya Miles Honored with a 2011 MacArthur Foundation Fellowship

Congratulations to Tiya Miles on being honored with a 2011 MacArthur Foundation Fellowship. It is always fun to see who has been awarded one of these amazing Fellowships and it is great when someone working in the same corners of the world that I do is a recipient. Learn more about the awards and Professor Miles’ work on African and Cherokee history in the American South here.

Badges! (with Special Reference to Public Folklore) #dmlbadges

As if the worlds that I try to keep up with were not overflowing already, more and more stuff to keep track of keeps coming. For several months I have wanted to take a few hours to get up to speed on the basics relating to the newer life-long-learning/educational reform/online meaning of badges. I had not quite done this, although I had read a few small online accounts and grasped the concept. I still had not taken time to do this background reading when today the phenomena took on a bigger life today.

The MacArthur Foundation awarded a two million dollar grant to HASTAC and the Mozilla Foundation (the Firefox people) for the purpose of funding a Digital Media and Learning Competition centered on the building of badge projects and the associated open technical infrastructure to make it all work. Here is how the MacArthur release begins:

Learning happens everywhere and at every age. Traditional measures of achievement, like high school diplomas, GEDs and college degrees, cannot convey the full range of knowledge and skills that students and workers master. To address this issue, the John D. and Catherine T. MacArthur Foundation, HASTAC and Mozilla today announced a $2 million Digital Media and Learning Competition for leading organizations, learning and assessment specialists, designers and technologists to create and test badges and badge systems. The competition will explore ways digital badges can be used to help people learn; demonstrate their skills and knowledge; unlock job, educational and civic opportunities; and open new pipelines to talent.

There is a great deal of discussion of this new program going on online and the conversation suggests that many folks have already invested a lot of brain power into working out the norms, forms, and aims of the emergent badge-based education and credentialing landscape. I am interested and sympathetic but too new to have any deeply informed opinions (beyond my support for the open source software/open standards aspects, my overall belief in the importance of life long learning, and my recognition of plural educational pathways and diverse learning styles/goals).

As I begin to make sense of the badges approach, I can immediately see some ways that the approach would particularly serve some sectors of the world in which I work. Public folklorists have long pursued for themselves and built for their colleagues robust continuing education opportunities of diverse sorts. Public folklorists are very good at continuing to study and master a range of practical skills of a general sort that can apply to their work–video production, GIS systems, database development, etc. They are also good at providing to their professional community field-specific training events outside of the walls of formal higher education. Workshops and similar events are a staple activity whenever public folklorists gather. While these could be seen as standard continuing education activities typical of any profession, they go along with another dimension that is not so uniformly present in professional life, and that is mentoring and collegial support of a real and meaningful sort. Public folklorists to a high degree help, lookout for, coach, and support one another. Resource scarcity could have produced high levels of competition, but in my estimation it has instead fostered a strong communitarian ethos among U.S. public folklorists. (Its not an absolute quality but a relative one.)

It seems to me that this is an ideal kind of environment for badges to strengthen the the workings of what is present already. Public folklorists in particular learn by doing–in internships and in their jobs (something central to the badge scheme), learn through informal channels and in continuing education formats, and learn within a supportive community of practice. As a very clear way of gaining formal recognition for one’s ever growing skill set and as a way of conveying these skills in online and offline ways to employers, granting agencies, community partners, etc. badges seem very promising to me as a framework for strengthening public sector folklore work. Many of these same points could be made in connection to other areas to which I have ties–museum work and applied anthropology. The digital humanities people are of course already very aware of the badges discussion.

One of the best things about badge programs is that they can be organized by a diversity of groups and agencies (unlike formal higher education, which is built around colleges and universities and their slow moving practices).

In addition to the MacArthur release, see also the Mozilla announcement and their “About Open Badges” page, the competition announcement at HASTAC, and these these posts [1] [2] by Audrey Watters at Hack Education.

I know that the badge business will seem crazy based only on my post (what is it? are they patches?). It will make more sense if one goes to these core sources and check it out firsthand.

Want the downside? Want the “What is totally wrong with all of this?” assessment? For a compelling account of the dystopic potential of badges, check out Alex Ried at Digital Digs.

Oklahoma Native Language and History Projects Making Progress

A round up of some good news Oklahoma.

The team at the Euchee (Yuchi) History Project has published an account of the project’s work in the prestigious journal Native South. Native South is published by the University of Nebraska Press and is made available electronically via Project Muse. The article, by Stephen A. Martin and Adam Recvlohe,  is titled, appropriately enough “The Euchee (Yuchi) History Project.” It is accessible (toll access) here: http://muse.jhu.edu/journals/native_south/v004/4.martin.html

The National Endowment for the Humanities and the National Science Foundation have announced a series of grant awards under the Documenting Endangered Languages program. I would like to highlight the following projects pursued by friends and acquaintances and to congratulate all the grantees. Durbin Feeling (Cherokee Nation) and colleagues have received funding for “Collaborative Research: Documenting Cherokee Tone and Vowel Length.” James Rementer and colleagues at the Delaware Tribe have been awarded a grant for “Lenape Language Database Project.” Mary Linn and Amber Neely have been funded for Amber’s dissertation research on “Speaking Kiowa Today” and Sean O’Neill and Elizabeth Kickham have received support for “Choctaw Language Ideologies and their Impact on Teaching and Learning,” Elizabeth’s doctoral research. Rounding out the good news for Oklahoma language efforts, Mary Linn and Colleen Fitzgerald have received additional support for the ongoing “Oklahoma Breath of Life Workshop and Documentation Project.” Congratulations to all of these language workers and the communities that stand behind them in support! Read the NEH/NSF press release here: http://www.neh.gov/news/archive/20110809.html

Time to Apply: Summer Institute in Museum Anthropology #SIMA

Summer Institute in Museum Anthropology (SIMA)
Supported by the Smithsonian Institution and the National Science Foundation
June 27 – July 22, 2011
Application deadline: MARCH 1

SIMA is a graduate student training program in museum research methods offered through the Department of Anthropology at the Smithsonian Institution’s National Museum of Natural History.  During four weeks of intensive training in seminars and hands-on workshops at the museum and at an off-site collections facility, students are introduced to the scope of collections and their potential as data.  Students become acquainted with strategies for navigating museum systems, learn to select methods to examine and analyze museum specimens, and consider a range of theoretical issues that collections-based research may address.  In consultation with faculty, each student carries out preliminary data collection on a topic of their own choice and develops (and continually refines) a prospectus for research to be implemented upon return to their home university.

Application Information

Who should apply?

Graduate students preparing for research careers in cultural anthropology who are interested in using museum collections as a data source. The program is not designed to serve students seeking careers in museum management. Students at both the masters and doctoral level will be considered for acceptance. Students in related interdisciplinary programs (Indigenous Studies, Folklore, etc.) are welcome to apply if the proposed project is anthropological in nature. All U.S. students are eligible for acceptance, even if studying abroad, as are international students enrolled in universities in the U.S.A. NOTE: First Nations people of Canada are eligible.

Costs

The program covers students’ tuition and housing, which is provided at a local university. A small stipend will be provided to assist with the cost of food and other local expenses. Participants are individually responsible for the cost of travel to and from Washington, DC.

Application deadline – MARCH 1, 2011

SIMA dates for 2011: June 27 – July 22

For more information and to apply, please visit http://anthropology.si.edu/summerinstitute/
Additional questions? Email SIMA@si.edu

Klassen, Ingalsbe Awarded Research Support

Congratulation to Teri Klassen on being named the IU Department of Folklore and Ethnomusicology’s Harry M. and Alma Egan Hyatt Graduate Fellow for 2010-2011. Teri is completing work on her dissertation, a historical and material culture studies focused project that explores quilting by African American and European American members of a rural community in western Tennessee.

Congratulations to Suzanne Ingalsbe on being awarded a travel grant from the Council for Museum Anthropology. This CMA funding will help Suzanne attend the 2010 American Anthropological Association meetings in New Orleans in November. At these meetings she will present collections and archival research that she conducted at the National Museum of Natural History, Smithsonian Institution. The focus is on so-called “prayer rugs” in the NMNH Collection, particularly those collected for the museum by Ethel-Jane Westfeldt Bunting. Suzanne is a doctoral student in the IU Department of Folklore and Ethnomusicology focused on the architecture and material culture of religious spaces vis-a-vis museum spaces.

The Wolfsonian–FIU Fellowship Program

Re-posted…

The Wolfsonian–Florida International University is a museum and research center that promotes the examination of modern visual and material culture. The Wolfsonian’s fellowship program is intended to support research on the museum’s collection, generally for periods of three to four weeks. The program is open to holders of master’s or doctoral degrees, Ph.D.candidates, and others who have a significant record of professional achievement in relevant fields.

The focus of the Wolfsonian collection is on North American and European decorative arts, propaganda, architecture, and industrial and graphic design from the period 1885–1945. The United States, Great Britain, Germany, Italy, and the Netherlands are the countries most extensively represented. There are also smaller but significant collections of materials from a number of other countries, including Austria, Czechoslovakia, France, Japan, the former Soviet Union, and Hungary. The collection includes works on paper (including posters, prints, and design drawings), furniture, paintings, sculpture, glass, textiles, ceramics, lighting and other appliances, and many other kinds of objects. The Wolfsonian’s library has approximately 50,000 rare books, periodicals, and ephemeral items.

Applicants are encouraged to discuss their project with the museum staff prior to submission to ensure the relevance of their proposals to The Wolfsonian’s collection. For more information about The Wolfsonian and its collection, visit the website at http://www.wolfsonian.fiu.edu, call 305-535-2686, or email to research@thewolf.fiu.edu. Applications for the 2011–12 academic year must be postmarked by December 31, 2010.

Lisa Li
lisa@thewolf.fiu.edu

Folklore Studies and the Big Digital Humanities

(As John Laudun has already noted) warm congratulations are due to our UCLA folklore colleague Timothy R. Tangherlini who (with Peter Leonard of the University of Washington) has secured a Google Digital Humanities Research Award for their project Northern Insights: Tools and Techniques for Automated Literary Analysis, Based on the Scandinavian Corpus in Google Books. Tim is a leader in digital humanities research whose focus is on big projects that explore ways of dealing with large amounts of folklore data. This is important work and I am glad that Google is recognizing the work that Tim and his colleagues have been pursuing. Congratulations!

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